"Social constructionism" and social constructivism
Social construction of nature
Social construction of gender
Social construction of technology
Linguistic turn
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Postmodern dance is a 20th century concert dance form that came into popularity in the early 1960s. While the term "postmodern" took on a different meaning when used to describe dance, the dance form did take inspiration from the ideologies of the wider postmodern movement, which "sought to deflate what it saw as overly pretentious and ultimately self-serving modernist views of art and the artist"[1] and was, more generally, a departure from modernist ideals. Lacking stylistic homogeny, Postmodern dance was discerned mainly by its anti-modern dance sentiments rather than by its dance style. The dance form was a reaction to the compositional and presentational constraints of the preceding generation of modern dance, hailing the use of everyday movement as valid performance art and advocating for unconventional methods of dance composition.
Postmodern dance made the claim that all movement was dance expression and any person was a dancer regardless of training. In this, early postmodern dance was more closely aligned with the ideologies of modernism rather than the architectural, literary and design movements of postmodernism. However, the postmodern dance movement rapidly developed to embrace the ideas of postmodernism, which rely on chance, self-referentiality, irony, and fragmentation. Judson Dance Theater, the postmodernist collective active in New York in the 1960s, is credited as a pioneer of postmodern dance and its ideas.[2]
The peak popularity of Postmodern dance as a performance art was relatively short, lasting from the early 1960s to the mid 1980s, but due to the changing definitions of postmodernism, it technically reaches the mid 1990s and beyond. The form's influence can be seen in various other dance forms, especially contemporary dance, and in postmodern choreographic processes that are utilized by choreographers in a wide range of dance works.
^Bertens, Hans; Fokkema, Douwe W. (1997). International Postmodernism: Theory and literary practice. John Benjamins Publishing. ISBN 978-90-272-9971-0.[page needed]
^Cohen, Selma Jeanne (1998). International Encyclopedia of Dance. Oxford University Press. ISBN 978-0-19-509462-6. OCLC 37903473.[page needed]
Postmoderndance is a 20th century concert dance form that came into popularity in the early 1960s. While the term "postmodern" took on a different meaning...
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Postmodern Jukebox (PMJ), also known as Scott Bradlee's Postmodern Jukebox, is a rotating musical collective founded by New York based pianist Scott Bradlee...
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American choreographer and dancer, and one of the founders of the Judson Dance Theater and the postmoderndance movement. Brown’s dance/movement method, with...
Retrieved 2013-02-15. Rossen, Rebecca (2014). Dancing Jewish: Jewish Identity in American Modern and PostmodernDance. United States of America: Oxford University...
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Trisha Brown (1936–2017), American choreographer and dancer, one of the founders of the postmoderndance movement Trisha Donnelly (born 1974), American conceptual...
American modern and postmoderndance artists Martha Graham and Merce Cunningham, the company was probably the first contemporary dance company in the UK...
Simone Forti (born March 25, 1935) is an American postmodern artist, dancer, choreographer, and writer. Since the 1950s, she has exhibited, performed...
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tap with the latest free form experiments in jazz and new music and postmoderndance." Throughout his career, Hines wanted and continued to be an advocate...
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American Dance Festival Christine Dakin Concert dance List of dancers List of dance companies Postmoderndance Terese Capucilli Women in dance "Martha...
musician and choreographer who led classes in dance composition, contributing to the birth of the postmoderndance period in the early 1960s in New York City...