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Phantom rides or panoramas were an early genre of film popular in Britain and the US at the end of the 19th century. Pre-dating true narrative, the films simply show the progress of a vehicle moving forwards, usually shot by strapping a cameraman to the front. The term phantom ride was applied because the position of the camera meant that only the track and scenery could be seen and the movement appeared to be coming from an invisible force. Though many early films showed local tracks the demand for new footage led to more exotic locations being filmed. This brought a new dimension to the genre, showing foreign lands to those who would otherwise never see them. The genre is also significant, despite its short-lived popularity, due to the role it played in the development of the tracking shot, longer films and film editing,[1][2] as well as its re-emergence in 4D film and simulation.
^Gray, Frank (2009), "The Kiss in the Tunnel (1899), G.A. Smith and the Rise of the Edited Film in England", in Grieveson, Lee; Kramer, Peter (eds.), The Silent Cinema Reader, Routledge (published 2004), ISBN 978-0415252843
Phantomrides or panoramas were an early genre of film popular in Britain and the US at the end of the 19th century. Pre-dating true narrative, the films...
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the onride video, also known as a phantomride, where the camera films during a ride on a train, an amusement ride (especially a roller coaster) or another...
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Mutoscope Company. It is considered to be one of the first examples of a phantomride (along with Alexandre Promio's Leaving Jerusalem by Railway the same...
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"The Phantom" Nathan James Biggs (Sonic Syndicate) – vocals on "Father and Son, Watching the World Go Down" Hanna Carlsson – cello on "The Ride Majestic"...
of Central London. It is operated by Merlin Entertainments and includes rides, themed cabins, live events and Hyperia, the United Kingdom's tallest and...
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