Petros Peloponnesios ("Peter the Peloponnesian") or Peter the Lampadarios (c. 1735 – 1778) was a cantor, composer and teacher of Byzantine and Ottoman music. He must have served as second domestikos between his arrival about 1764 until the death of Ioannes Trapezountios, and it is assumed that he became lampadarios (leader of the left choir) between 1770 and 1778 at the Great Church of Constantinople, after Daniel the Protopsaltes became Archon Protopsaltes. Large parts of the monodic chant sung in several current traditions of Orthodox Chant are transcriptions of his compositions. He wrote these as a teacher of the "New Music School of the Patriarchate".
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PetrosPeloponnesios ("Peter the Peloponnesian") or Peter the Lampadarios (c. 1735 – 1778) was a cantor, composer and teacher of Byzantine and Ottoman...
pp. LIII-LIV, § 79) that Petros Byzantios was the only one who had the proper knowledge of his teacher's, PetrosPeloponnesios', method, but he would go...
Balasios Iereos, Petros Bereketis, Ioannes the Protopsaltes, PetrosPeloponnesios, and Georgios of Crete (about 1800). PetrosPeloponnesios. "London, British...
had been published in 3 versions: the "Doxastarion syntomon" of PetrosPeloponnesios (1820), the "Doxastarion argon" of Iakovos the Protoposaltes (1836)...
Musical Manuscripts as Sources for Oriental Secular Music: The Case of PetrosPeloponnesios (1740–1778) and the Music of the Ottoman Court". In Greve, Martin...
still treated as a diatonic melos unlike the school of PetrosPeloponnesios and his follower Petros Byzantios. According to their school the echos legetos...
Leontaritis Michele Stratico Konstantinos Agathophron Nikolopoulos PetrosPeloponnesios Marco Basaiti El Greco Ioannis Permeniates Victor Belisario Corenzio...
confusion between Petros Bereketis, John Trapezountios' student PetrosPeloponnesios and the latter's follower Petros Byzantios. Petros Bereketis began...
but there is also a manuscript with composition of PetrosPeloponnesios and his student Petros Byzantios that is organized as an Anastasimatarion and...
used in Angelopoulos' editions, to his students. In a video of PetrosPeloponnesios' short version (Doxastarion syntomon) of the Doxastikon oktaechon...
Patriarchates of Alexandria and Jerusalem. The living tradition follows PetrosPeloponnesios' realisation of the "Katavasies" who corrected the accents on the...
Musical Manuscripts as Sources for Oriental Secular Music: The Case of PetrosPeloponnesios (1740-1778) and the Music of the Ottoman Court". Writing the History...
adaptation to the modern practice has to be studied by the exegesis of PetrosPeloponnesios and its transcription into modern neumes according to the New Method...
names have crossed the centuries (e.g. Petros from Laconia, Peloponnese called Petros o Peloponnesios or Petros Lacedaemon), one may wish to call Iakovos...
through figures such as Panagiotes the New Chrysaphes, Petros Bereketis, PetrosPeloponnesios, and Chrysanthos of Madytos, as well as Serbians such as...
the New Method, as it was created during the 18th century between PetrosPeloponnesios and Theodore Phokaeos who supervised the print editions of Chourmouzios'...
transcribed the traditional repertory into the Chrysanthine notation. PetrosPeloponnesios (1811). Chrysanthos of Madytos (ed.). Καταβασίαι των δεσποτικών και...
Music Ταμείον Ανθολογίας 1825 Heirmologion of the Katavasias of PetrosPeloponnesios Ειρμολόγιον των Καταβασιών Πέτρου του Πελοποννησίου 1830 Efterpe...
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