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Peking opera information


Peking opera
"Peking Opera" in Simplified (top) and Traditional (bottom) Chinese characters
Traditional Chinese京劇
Simplified Chinese京剧
Literal meaningCapital drama
Alternative Chinese name
Traditional Chinese京戲
Simplified Chinese京戏
Literal meaningCapital play
Second alternative Chinese name
Traditional Chinese國劇
Simplified Chinese国剧
Literal meaningNational drama
Former name (mainly used 19th century)
Traditional Chinese皮黃
Simplified Chinese皮黄
Former name (mainly used 1927–1949)
Traditional Chinese平劇
Simplified Chinese平剧
Literal meaningBeiping's drama

Peking opera, or Beijing opera (Chinese: 京劇; pinyin: Jīngjù), is the most dominant form of Chinese opera, which combines instrumental music, vocal performance, mime, martial arts, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century.[1] The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China.[2] Major performance troupes are based in Beijing, Tianjin and Shanghai.[3] The art form is also preserved in Taiwan, where it is also known as Guójù (Chinese: 國劇; lit. 'National opera'). It has also spread to other regions such as the United States and Japan.[4]

Peking opera features four main role types, sheng (gentlemen), dan (women), jing (rough men), and chou (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera's characteristically sparse stage. They use the skills of speech, song, dance and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production.[5] The layers of meaning within each movement must be expressed in time with music. The music of Peking opera can be divided into the xīpí (西皮) and èrhuáng (二黄) styles. Melodies include arias, fixed-tune melodies and percussion patterns.[6] The repertoire of Peking opera includes over 1,400 works, which are based on Chinese history, folklore and, increasingly, contemporary life.[7]

Traditional Peking opera was denounced as "feudalistic" and "bourgeois" during the Cultural Revolution (1966–1976) and replaced mostly with the revolutionary operas until the period's end.[8] After the Cultural Revolution, these transformations were largely undone. In recent years, Peking opera has responded to sagging audience numbers by attempting reforms, including improving performance quality, adapting new performance elements, shortening works, and performing new and original plays.

  1. ^ Goldstein 2007, page 3.
  2. ^ Mackerras 1976, pages 473–501.
  3. ^ Wichmann 1990, pages 146–178.
  4. ^ Rao 2000, pages 135–162.
  5. ^ Wichmann 1991, page 360.
  6. ^ Guy 1990, pages 254–259
  7. ^ Wichmann 1991, pages 12–16.
  8. ^ Cite error: The named reference Lu Xing was invoked but never defined (see the help page).

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like Bai Suzhen and Xiao Qing from the Legend of the White Snake. In Peking opera, the zhan'ao zhanqun (戰襖戰裙; "martial shirt, martial skirt") costume is...

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Dan role

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roles in Chinese opera, often referring to leading roles. They may be played by male or female actors. In the early years of Peking opera, all dan roles...

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Yun Jin

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and singing segments in Liyue opera are performed by Yang Yang. Yun Jin's character prototype is based on a Peking opera performer, with the development...

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Chou role

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Chou is the clown role in Chinese opera. The Chou usually plays secondary roles in a troupe. Most studies of Peking opera classify the Chou as a minor role...

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During the Qing dynasty, Peking opera became popular. Peking opera developed from different opera styles. In 1790. various local opera troupes performed in...

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because of the prominent presence of cross-gender behavior. Peking Opera, also known as Beijing Opera, had male actors playing female dan characters. Men traditionally...

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Beijing, alternatively romanized as Peking, is the capital of China. With more than 22 million residents, Beijing is the world's most populous national...

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was a Peking opera actor who specialized in its "old male" (老生, laosheng) roles. He is considered one of the greatest grand masters of Peking Opera of the...

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The China Drama Academy (Chinese: 中國戲劇學院) was a Peking opera school in Kowloon, Hong Kong, known for being the childhood home of such famous actors as...

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Jing role

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type in Chinese opera for "rough" or "mighty" male characters.[citation needed] In many genres (such as Peking opera and Cantonese opera), this role requires...

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was born in Anaheim, California. Her parents were performers with the Peking opera before they relocated to Anaheim, where they ran a successful pancake...

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one of the Seven Little Fortunes from the China Drama Academy at the Peking Opera School, where he studied acrobatics, martial arts, and acting. Chan has...

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expert of both Chinese martial arts and Beijing-opera skills, and was apprenticed at the Peking Opera School under the same master, Yu Jim-yuen, as Jackie...

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Sheng role

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gentlemen), with another important subtype being the wusheng (martial men). Peking opera troupes will always have a laosheng actor. A xiaosheng actor may be added...

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a dan was a male actor who portrayed a leading female character in Peking opera. The term "Four Dan" was first coined in the 1920s to refer to four popular...

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Lanfang, was a notable Chinese Peking opera artist in modern Chinese theater. Mei was known as "Queen of Peking Opera". Mei was exclusively known for...

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