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Paulo Costa Lima (born 1954 in Salvador, Bahia) is a Brazilian composer and music theorist. A member of the Brazilian Academy of Music, Lima's main interest is the interaction between composition and culture, including its political aspects, namely composition as a way of resisting colonization and against the "waste of experience,"[clarification needed][1] the traditional circuit in which ideas (theory) are produced elsewhere and absorbed by the South.[clarification needed][2] Lima's publications are on topics such as the theory and pedagogy of musical composition,[3] analysis and history of Brazilian contemporary music, analysis of Brazilian popular songs,[4] the possible dialogue between music and psychoanalysis, and cultural semantics. Lima's compositional interests include rhythmic tradition of the Candomblé.[citation needed]
^Santos, Boaventura de Sousa (2004), ‘A Critique of Lazy
Reason: Against the Waste of Experience’ in Wallerstein, Immanuel (ed.), The modern World-System in the Longue Durée Boulder. Paradigm Publishers, p. 157-197
^ART Music Review 025, set 2013, Paulo Costa Lima e Guilherme Bertissolo (Eds.)[1]
^Teoria e prática do compor II: diálogos de invenção e ensino. Salvador, EDUFBA, 2014 [2]
^Lima, Paulo Costa. Música popular e outras adjacências. Salvador, EDUFBA, 2012 [3]
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da Graça Costa Penna Burgos (born Maria da Graça Costa Penna Burgos; 26 September 1945 – 9 November 2022), known professionally as Gal Costa ([ɡaw ˈkɔs ta]...
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