For the art of creating an accompaniment from figured bass, see Realization (figured bass).
A Partimento (from the Italian: partimento, plural partimenti) is a sketch (often a bass line), written out on a single staff, whose main purpose is to be a guide for the improvisation ("realization") of a composition at the keyboard.[1] A Partimento differs from a basso continuo accompaniment in that it is a basis for a complete composition.[2] Partimenti were central to the training of European musicians from the late 1600s until the early 1800s. They were developed in the Italian conservatories, especially at the music conservatories of Naples, and later at the Paris Conservatory, which emulated the Neapolitan conservatories.[3]
^Sanguinetti 2012, p. 14.
^Sanguinetti 2012, p. 167.
^The History of Partimenti Monuments of Partimenti
A Partimento (from the Italian: partimento, plural partimenti) is a sketch (often a bass line), written out on a single staff, whose main purpose is to...
of the octave also formed the cornerstone of the "regole" (rules) of partimento collections. There is normally a different harmonization for ascending...
of The Art of Partimento: History, Theory, and Practice, the first monograph dedicated to the history, theory, and practice of partimento instruction as...
He is best known as an expert in the field of Partimento and is the author of "Counterpoint and Partimento: Methods of Teaching Composition in Late Eighteenth-Century...
harpsichordist, conductor and music theorist. He is known as an expert in partimento realization and counterpoint. Ewald Demeyere received his Master's degree...
sequence is "a hallmark of the galant style" and a consequence of the partimento pedagogical tradition of Neapolitan conservatories. Galant schemata, broadly...
Byron, Christine Correa, Dominique Eade, Matt Darriau, and many others. Partimento Musical improvisation#Classical period Banks, Don (1970). "Third-Stream...
known for his contributions to the field of music schemata theory and partimento. Byros is an alumnus of the Aaron Copland School of Music, receiving his...
Dictionary of Music & Musicians, [vol #5]. Peter van Tour: Counterpoint and Partimento: Methods of Teaching Composition in Late Eighteenth-Century Naples. 2015...
two operas, a Miserere, a symphony and other works for orchestra. Sanguinetti, Giorgio (May 2012). The Art of Partimento. p. 84. ISBN 978-0-19-539420-7....
R E.16 – Mandolin concerto in G major Regole per bene accompagnare il partimento o sia il basso fondamentale sopra il Cembalo 298 Disposizione over partimenti...
trombone, con il partimento per l’organo, con alcune a quattro viole (Palermo 1629) Motetti ad 1, 2, 3, 4, et 8 voci, con il partimento per l’organo, et...
These historical Italian methods of composition, grounded in solfeggio, partimento and counterpoint, offer an alternative method of analysis of Italian Opera...
Harvard University Press, pp. 69. Sanguinetti, Giorgio (2012), The Art of Partimento: History, Theory, and Practice, Oxford: Oxford University Press, pp. 175...
Brewer. p. 99. ISBN 9781783270866. Sanguinetti, Giorgio (2012). The Art of Partimento: History, Theory, and Practice. Oxford University Press. p. 74. ISBN 9780195394207...
Archived from the original on 2002-10-06. Peter van Tour: Counterpoint and Partimento: Methods of Teaching Composition in Late Eighteenth-Century Naples. 2015...
voci Miserere double choir a 8 voci Another 150 sacred works The Art of Partimento: History, Theory, and Practice - Page 23 Giorgio Sanguinetti - 2012 "One...
Parlour music Parody mass Parody music Parsons code Part (music) Partbook- Partimento Partita Pasodoble Passacaglia Passaggio Passing chord Passion music Pasticcio...
University Press. ISBN 978-1-56159-263-0. G. Sanguinetti, The Art of Partimento. Oxford University Press, 2012, p.84. Musiche Inedite del Settecento Pugliese...
organist of the churches of Santa Maria Maggiore and ... " The Art of Partimento: History, Theory, and Practice - Page 23 Giorgio Sanguinetti - 2012 "One...
Montagnier: ‘Nicolas Bernier's Principes de composition and the Italian Partimento Tradition’, Early Music, 49 (February 2021), p. 87-100. grove music Wikimedia...
soggetto e contrasoggetto a suono plagale Peter van Tour: Counterpoint and Partimento: Methods of Teaching Composition in Late Eighteenth-Century Naples. 2015...
and La festa di Anacapri. Giorgio Sanguinetti (1 May 2012). The Art of Partimento: History, Theory, and Practice. Oxford University Press. pp. 58–. ISBN 978-0-19-539420-7...