The paradox of fiction asks why people experience strong emotions when, for example, they are watching Prince Hamlet on stage, while at the same time knowing that it is not really Hamlet but merely an actor.
The paradox of fiction, or the paradox of emotional response to fiction, is a philosophical dilemma that questions how people can experience strong emotions to fictional things. The primary question asked is the following: How are people moved by things which do not exist? The paradox draws upon a set of three premises that seem to be true prima facie but upon closer inspection produce a contradiction. Although the emotional experience of fictional things in general has been discussed in philosophy since Plato,[1] the paradox was first suggested by Colin Radford and Michael Weston in their 1975 paper "How Can We Be Moved by the Fate of Anna Karenina?".[2] Since Radford and Weston's original paper, they and others have continued the discussion by giving the problem slightly differing formulations and solutions.[3]
^Paskow, Alan (2004). The Paradoxes of Art : A phenomenological investigation. Cambridge: Cambridge University Press. ISBN 0-521-82833-3.
^Radford, Colin; Weston, Michael (January 1975). "How can we be moved by the fate of Anna Karenina?". Proceedings of the Aristotelian Society, Supplementary Volumes. 49: 67–93. doi:10.1093/aristoteliansupp/49.1.67. JSTOR 4106870.
^Schneider, Steven. "The Paradox of Fiction". Internet Encyclopedia of Philosophy. Retrieved 27 June 2012.
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