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Das Paradies und die Peri
Oratorio by Robert Schumann
The composer in 1839
English
Paradise and the Peri
Opus
50
Text
translation by Schumann and Emil Flechsig
Language
German
Based on
Lalla-Rookh by Thomas Moore
Composed
1843 (1843)
Movements
23 in three parts
Scoring
soloists
choir
orchestra
Paradise and the Peri, in German Das Paradies und die Peri, is a secular oratorio for soloists, choir, and orchestra by Robert Schumann. Completed in 1843, the work was published as Schumann's Op. 50.
The work is based on a German translation (by Schumann and his friend Emil Flechsig) of a tale from Lalla-Rookh by Irish poet and lyricist Thomas Moore. The peri, a creature from Persian mythology, is the focus of the story, having been expelled from Paradise and trying to regain entrance by giving the gift that is most dear to heaven. Eventually the peri is admitted after bringing a tear from the cheek of a repentant old sinner who has seen a child praying.
Peter Ostwald in his biography Schumann: The Inner Voices of a Musical Genius records that Schumann "confided to a friend that 'while writing Paradise and the Peri a voice occasionally whispered to me "what you are doing is not done completely in vain,"'" and that even Richard Wagner praised this work. The cantata is generally held to be a significant achievement by Schumann, and it perhaps appeals less than it might otherwise to modern audiences due to the flowery, Eastern-inspired verbiage of the libretto, which represents a vogue for orientalism that was in full swing in the 19th century but has receded considerably today. This oratorio premiered under the composer's baton on 4 December 1843 in Leipzig. It was well received, and performances in Dresden and Berlin followed.
The first English performance took place under difficult conditions at the Hanover Square Rooms in London at the invitation of the Philharmonic Society conducted by William Sterndale Bennett with Jenny Lind taking the leading soprano part.
Paradise and the Peri was the vehicle for Gabrielle Krauss's first important appearance, in Vienna in 1858, when she was not yet 16 years old.
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ParadiseandthePeri, in German Das Paradies und die Peri, is a secular oratorio for soloists, choir, and orchestra by Robert Schumann. Completed in 1843...
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aus Osten (1842) were admired by Schumann, whose cantata ParadiseandthePeri (1843) shows the older composer's influence. Marschner's Bagatelles for guitar...
Princess Elisa Radziwiłł (1803-1834) dressed as the Goddess Peri, inspired by the oratorio ParadiseandthePeri, by Robert Schumann (1810-1856) Miriam's Song...
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Curse your noisy pugnose. Feels locked out of it. Paradiseandtheperi. Always happening like that. The very moment. Girl in Eustace street hallway Monday...
richest of audiences, and was offered Sterndale Bennett." He instances the London premiere of Schumann's ParadiseandthePeri in the 1856 season, which...
Sebastian Bach. He performed internationally and made many recordings. He was professor of voice at the Hochschule für Musik Karlsruhe. Aldo Baldin was...
Max Bruch's Die Schone Helene, Robert Schumann's ParadiseandthePeri, and many others. Epstein had the linguistic ability to interpret her song in three...
"Komarraju Lakshmanarao". He translated the famous epic in English "ParadiseandthePeri" which was written by Thomas Moore (1779-1852) into Telugu. Japan...
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performances of Samson and Delilah, Schumann's ParadiseandthePeri, Sir Walford Davies' Everyman, Beethoven's Choral Symphony, and Debussy's L'Enfant Prodigue...
(1926) Choral ParadiseandthePeri (Рай и Пери), Cantata (1900); awarded the Rubinstein Prize Vocal 4 Songs (Четыре романса) for high voice and piano, Op...