Otello and Desdemona by Alexandre-Marie Colin, 1829
Librettist
Arrigo Boito
Language
Italian
Based on
Othello by Shakespeare
Premiere
5 February 1887 (1887-02-05)
Teatro alla Scala, Milan
Otello (Italian pronunciation:[oˈtɛllo]) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play Othello. It was Verdi's penultimate opera, first performed at the Teatro alla Scala, Milan, on 5 February 1887.
The composer was reluctant to write anything new after the success of Aida in 1871, and he retreated into retirement. It took his Milan publisher Giulio Ricordi the next ten years, first to encourage the revision of Verdi's 1857 Simon Boccanegra by introducing Boito as librettist and then to begin the arduous process of persuading and cajoling Verdi to see Boito's completed libretto for Otello in July/August 1881.[1] However, the process of writing the first drafts of the libretto and the years of their revision, with Verdi all along not promising anything, dragged on. It wasn't until 1884, five years after the first drafts of the libretto, that composition began, with most of the work finishing in late 1885. When it finally premiered in Milan on 5 February 1887, it proved to be a resounding success, and further stagings of Otello soon followed at leading theatres throughout Europe and America.
Otello (Italian pronunciation: [oˈtɛllo]) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play...
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a compilation written in 1825 that draws principally on his 1816 opera Otello. Hubert Hunt claims that the compiler was Robert Lucas de Pearsall, who...
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Giuseppe Verdi's penultimate opera, Otello. It was first performed at La Scala, Milan, on 5 February 1887. Otello has been recorded complete on disc and...
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and Verdi's Otello. He first tackled Otello in 1950 and kept refining his interpretation throughout his career. It is said that he sang Otello 427 times...
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work has inspired several operas, among them Giuseppe Verdi's Macbeth, Otello and Falstaff, whose critical standing compares with that of the source plays...