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Natacha Voliakovsky information


Natacha Voliakovsky
Born1988 (age 35–36)
EducationUniversity of Buenos Aires
Known forperformance art
Websitehttps://natachavoliakovsky.com/

Natacha Voliakovsky (Buenos Aires, 1988) is an Argentine queer Performance Artist and activist based in New York who develops part of her work in the field of bio-hardcore political performance, with the use of other media such as photography, video, and installation. She works by exposing and transforming her own body to the limit, with the aim of revealing through her high-impact performance, how those oppressive norms of the dominant culture operate. Through this proposal, she seeks to the question about the established moral and works on issues related to gender identity, the free sovereignty and autonomy of the body, the identity, the self-perception.[1][2][3][4][5][6][7]

She also explores through interventions and disruptive actions in the public space with themes like migration, power dynamics, abortion, and gender equality, works in which she evidences her perspective of art as a socially transformative tool.[3][8][9][10]

Voliakovsky is the creator of the first digital platform specialized in theoretical research, archive, and heritage, Argentina Performance Art - APA (2018). One of the platform's activities was a public interview Voliakovsky conducted with artist Marta Minujín.[11][12][13] She established a specific training method in performance art in Argentina. She participated in group exhibitions and made performances in Argentina, Brazil, Colombia, United States, Greece, Guatemala, Finland, India, England, Italy, Uruguay, Czech Republic, Mexico, Turkey, Ukraine, among others.[14][3]

In the field of bio-hacking, she has surgically intervened her body and made audiovisual records of it, focusing on the intervention over her own corporeality as a form of political activism.[15][16][17][18]

  1. ^ "Natacha Voliakovsky, el arte de poner el cuerpo". Todo Noticias-TN. April 11, 2020. Archived from the original on January 6, 2023. Retrieved January 5, 2023.
  2. ^ Oliveiro, Lucia (February 3, 2019). "Tendencia extrema: los jóvenes que transforman sus cuerpos en obras de arte". Clarín. Archived from the original on January 6, 2023. Retrieved January 5, 2023.
  3. ^ a b c Taveli, Elena (July 29, 2022). "Reproductive rights, performance art & the argentinean legalization of abortion". Creatrix Mag. Archived from the original on January 6, 2023. Retrieved December 16, 2022.
  4. ^ "Artistas argentinos exponen en la Trienal de Nueva York". Ámbito. November 4, 2022. Archived from the original on January 6, 2023. Retrieved January 5, 2023.
  5. ^ St James, Marty (2020). Being in Time Performance Art. UK: Zidane Press. ISBN 978-1999764319.
  6. ^ Crawford, Holly (2020). 7 Days: Expanded Edition. New York: AC Books. ISBN 978-1939901101.
  7. ^ Guttenplan, Zoe (2019). Emergency Index. An annual document of performance practice. Vol. 9. New York: Ugly Duckling Presse (NYC) with the support of the New York Council on the Arts. ISBN 978-1-946433-84-8. Archived from the original on January 7, 2023. Retrieved January 7, 2023.
  8. ^ Orosz, Demian (August 16, 2019). "El arte en carne viva de Natacha Voliakovsky: 'Me considero una sobreviviente'". La voz. Archived from the original on January 6, 2023. Retrieved January 5, 2023.
  9. ^ Cite error: The named reference :16 was invoked but never defined (see the help page).
  10. ^ Hector, Katie (July 30, 2019). "Behind the Scenes of The Immigrant Artist Biennial: Interview with Katya Grokhovsky". artefuse.com. Archived from the original on January 7, 2023. Retrieved January 7, 2023.
  11. ^ Batalla, Juan (August 8, 2022). "Marta Minujín y dos grupos icónicos recuperan la memoria del arte performativo". Infobae. Archived from the original on January 6, 2023. Retrieved January 5, 2023.
  12. ^ "Plataforma de Investigación Argentina Performance Art – APA". Plataforma de Investigación Argentina Performance Art – APA. Archived from the original on January 6, 2023. Retrieved January 5, 2023.
  13. ^ Lorusso, Adriana (July 28, 2020). "Una historia de la performance en la Argentina". Noticias Perfil. Archived from the original on January 6, 2023. Retrieved January 5, 2023.
  14. ^ "Natacha Voliakovsky". natachavoliakovsky.com. 2019. Archived from the original on January 6, 2023. Retrieved January 5, 2023.
  15. ^ "Emergency Index. La pieza del escándalo (The scandalous piece)". emergencyindex.com. Archived from the original on January 6, 2023. Retrieved January 5, 2023.
  16. ^ Dansey, Marcelo (December 1, 2015). "Natacha Voliakovsky El Cultural San Martín. Un cuerpo mutando, sin referencia de lo que fue, y sin marcas claras de lo que será". ramona.org.ar. Archived from the original on January 6, 2023. Retrieved January 5, 2023.
  17. ^ Emergency Index. An annual document of performance practice (Vol. 8 / 2018). Vol. 8. Ney York: Edited by Ugly Duckling Presse (NYC) with the support of the New York Council on the Arts. 2018. ISBN 978-1-946433-63-3. Archived from the original on January 7, 2023. Retrieved January 7, 2023.
  18. ^ Cleary, Sophia; Gluzman, Yelena (2017). Emergency Index. An annual document of performance practice (Vol. 7 / 2017). Vol. 7. New York: Edited by Ugly Duckling Presse (NYC) with the support of the New York Council on the Arts. pp. 196 to 197. ISBN 978-1-946433-21-3. Archived from the original on January 7, 2023. Retrieved January 7, 2023.

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