Mummy brown, also known as Egyptian brown or Caput Mortuum,[1]: 254 [2] is a rich brown bituminous pigment with good transparency, sitting between burnt umber and raw umber in tint.[3] The pigment was made from the flesh of mummies mixed with white pitch and myrrh.[4][5] Mummy brown was extremely popular from the mid-eighteenth to the nineteenth centuries. However, fresh supplies of mummies diminished, and artists were less satisfied with the pigment's permanency and finish.[2] By 1915, demand had significantly declined.[6] Suppliers ceased to offer it by the middle of the twentieth century.[7]: 82
Mummy brown was one of the favourite colours of the Pre-Raphaelites.[6] It was used by many artists, including Eugene Delacroix, William Beechey, Edward Burne-Jones, Lawrence Alma-Tadema, and Martin Drolling.[2]
^St. Clair, Kassia (2016). The Secret Lives of Colour. London: John Murray. pp. 253–255. ISBN 978-1473630819. OCLC 936144129.
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Mummybrown, also known as Egyptian brown or Caput Mortuum,: 254 is a rich brown bituminous pigment with good transparency, sitting between burnt umber...
A mummy is a dead human or an animal whose soft tissues and organs have been preserved by either intentional or accidental exposure to chemicals, extreme...
or originally mummy referred to several different preparations in the history of medicine, from "mineral pitch" to "powdered human mummies". It originated...
becomes a rich reddish brown called burnt sienna. Mummybrown was a pigment used in oil paints made from ground Egyptian mummies. Caput mortuum is a haematite...
such pigment is caput mortuum, whose name is also used in reference to mummybrown. The latter is another pigment containing hematite and historically produced...
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about 12.5 mm. The forewings are buffy brown. The terminal line and subterminal line are formed by dots of mummybrown with a green centre. The hindwings...
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