Moon jar | |
Korean name | |
---|---|
Hangul | 달항아리 / 백자대호 |
Hanja | none / 白磁大壺 |
Revised Romanization | dal hangari / baekja daeho |
McCune–Reischauer | tal hanari /paekcha taeho |
Moon jar is a type of traditional Korean white porcelain which was made during the Joseon dynasty (1392–1910).[1] The Joseon white porcelain was adopted as imperial ware in the fifteenth century. Moon jars first appeared in the late seventeenth century and remained popular until the mid-eighteenth century. However, they were not nicknamed “moon jars” until the 1950s.[2] The name comes from its shape and milky color of the glaze to resemble the coloration of the moon. This type of vessel is unique to the Joseon Dynasty and were never produced in China or Japan.[2]
The fact that many moon jars have a bluish or greenish tinge, as is the case with National Treasure No. 1437, is readily apparent.[3] These non-white colors come about owing to the fact that the clay and glaze they were made from are essentially similar but less processed and refined than the clay and glaze utilized during the early Goryeo period (918-1392) to produce deeper colors found in celadon wares.[4] It wasn't until the early eighteenth century that moon jars took on a color that could be called pure white.[5]
Moon jars often consists of two hemispherical halves that are throw separately and then joined in the middle.[6] The slightly uneven natural shape added to its appeal during the Joseon dynasty. Usually jars are made in a stable shape due to their wide bottom and smaller mouth, but moon jar has a wider mouth than the diameter of the bottom, causing instability, making it feel like the jar is floating in air.[7]
It has inspired many artists such as Kim Whanki and Bernard Leach.[8][9][10][11]
Moon jars have been described as being big, sturdy, rich, and proud with a slightly waddling and distorted appearance that is attractive.[12] Because of this slight irregularity, most moon jars assume the shape of a waning moon, rather than a full moon. However, this grants them the “symmetry of asymmetry,” causing them to look different when viewed from various angles.[5]