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Missa sine nomine information


A Missa sine nomine, literally a "Mass without a name", is a musical setting of the Ordinary of the Mass, usually from the Renaissance, which uses no pre-existing musical source material, as was normally the case in mass composition. Not all masses based on freely composed material were so named, but many were, particularly from the late 15th century through the 16th century.

One of the earliest examples of a Missa sine nomine is by Guillaume Dufay, (Bologna, International museum and library of music, Ms Q15) whose Missa Resvelliés vous (formerly known as a Missa sine nomine) dates from before 1430, and possibly as early as 1420.[1] It may have been written for the wedding of Carlo Malatesta and Vittoria di Lorenzo in Rimini.[2]

Many other composers wrote Missae sine nomine, including Walter Frye, Barbingant, Alexander Agricola, Johannes Tinctoris, Matthaeus Pipelare, Heinrich Isaac, Pierre de La Rue, Josquin des Prez, Jean Mouton, Vincenzo Ruffo, and others.

Some masses sine nomine, i.e. based on freely-composed material, were actually named in other ways: the most famous is Giovanni Pierluigi da Palestrina's Missa Papae Marcelli, the Pope Marcellus Mass, which according to a somewhat exaggerated legend persuaded the Council of Trent not to ban polyphonic writing in liturgical music. Also many canonic masses are literally sine nomine: the Missa prolationum of Johannes Ockeghem and the Missa ad fugam of Josquin des Prez are of this type, as is the late Missa sine nomine by Josquin, in which he returns with new insight to compositional problems he first tackled in his early Missa Ad fugam.[3][4] A myth dating from the time of the Council of Trent was that a Missa sine nomine hid a secular tune, and the listeners were expected to "get the joke"; however the practice of writing masses on freely-composed material predated the Council of Trent and the Counter-Reformation.[3]

  1. ^ Cross, MQ
  2. ^ Planchart, quoted in program notes to Da Camera
  3. ^ a b Lockwood/Kirkman, Grove online
  4. ^ Bloxam, in Scherr, p. 204-209

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Antoine Brumel

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four voices Missa sine nomine (I) for four voices Missa sine nomine (II) for four voices (Kyrie only; otherwise only one voice preserved) Missa pro defunctis...

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contains references to other late works such as the Missa de Beata Virgine and the Missa Sine nomine. It was not formally published until 1539 by Hans Ott...

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Jean Mouton

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"sans candence" Missa sine nomine 1 (without a name) Missa sine nomine 2 (without a name) Missa "tu es Petrus" Missa "Tua est potentia" Missa "Verbum bonum"...

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as Vivaldi (e.g. BWV 1065), Pergolesi (BWV 1083) and Palestrina (Missa Sine nomine), French masters such as François Couperin (BWV Anh. 183), and, closer...

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Herbert Howells (17 October 1892 – 23 February 1983). Dedications Missa Sine Nomine (Mass in the Dorian Mode) (1912) Magnificat and Nunc Dimittis in G...

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Pierre de la Rue

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defunctis (4-5vv); Missa Puer natus est (4vv); Missa Sancta Dei Genitrix (4vv); Missa Sine Nomine I (4vv); Missa Sub Tuum praesidium (4vv); Missa Tandernaken...

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deest NBA 1591 (Pal.) c.1742 (JSB) Kyrie–Gloria Mass arranged from Missa sine nomine a 6 E min. SSATTB 2Co 4Tro Vne Hc Org II/9: 13 by Palestrina after...

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List of compositions by Josquin des Prez

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authentic in NJE) Missa Pange lingua (Condé, around 1514) (four voices) Missa Sine nomine (four voices; canonic mass, also titled "Missa Ad fugam" in later...

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haereditatis mysterium (5) Magnus sanctus Paulus (5) Miserere mei Deus (30) Missa Herodes spiculatore (5) Nativitatis tua (5) Ne recorderis peccata mea, Domine...

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John Taverner

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yet come to light. Domarto's two mass settings, the Missa Spiritus almus and a Missa sine nomine, were famous at the time. The latter of the two may have...

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Kyrie I, Gloria I, Sanctus XVII and Agnus Dei XXII) Missa primi toni Missa secundi toni Missa sine nomine Credo Je ne vis oncques I (based on a chanson attributed...

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