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Millard Lazare Meiss (March 25, 1904 - June 12, 1975)[1] was an American art historian, one of whose specialties was Gothic architecture. Meiss worked as an art history professor at Columbia University from 1934 to 1953.[2] After teaching at Columbia, he became a professor at Harvard until 1958, when he joined the Institute for Advanced Study, in Princeton, N.J.[2] Meiss has edited several leading art journals and has also written articles and books on medieval and Renaissance painting.[2] Among his many important contributions are Italian style in Catalonia and a fourteenth century Catalan workshop (1941), Painting in Florence and Siena after the Black Death (1951)[2] and French Painting in the Time of Jean de Berry (3 vol., 1967–74).[2] Other notable works include- Andrea Mantegna as Illuminator (1957), Giotto and Assisi (1960), The Painting of the Life of St. Francis in Assisi (with Leonetto Tintori, 1962), and The Great Age of Fresco (1970).[2] Meiss also organized the first meeting in the United States of the Congress of the International Committee of the History of Art, and was elected the organization's president. He was elected to the American Academy of Arts and Sciences in 1954 and the American Philosophical Society in 1963.[3][4] In 1966, he assisted in Florence with restoration efforts following the 1966 Flood of the Arno River, despite being in ill health.[5] He gave the 1970 Aspects of Art Lecture.[6][7]
Upon his death he was survived by his widow, a daughter, and two grandchildren.[8]
^"Millard Meiss: March 25, 1904-June 12, 1975". The Art Bulletin. 57 (4): 471. 1975. JSTOR 3049430.
^ abcdef"Meiss, Millard." The Columbia Encyclopedia. Columbia University and Paul Lagasse. New York: Columbia University Press, 2015. Credo Reference. Web. 15 Oct 2015.
^"Millard Lazare Meiss". American Academy of Arts & Sciences. Retrieved 2022-11-07.
^"APS Member History". search.amphilsoc.org. Retrieved 2022-11-07.
^Lee, Rensselaer W.; John Pope-Hennessy (1976). "Millard Meiss: In Memoriam". Art Journal. 35 (3): 261–62. doi:10.1080/00043249.1976.10793289. JSTOR 775947.
^"Aspects of Art Lectures". The British Academy.
^Meiss, Millard (1972). "The Master of the Breviary of Jean sans Peur and the Limbourgs" (PDF). Proceedings of the British Academy. 56: 111–129.
^Glueck, Grace (June 14, 1975). "Millard Meiss Dead at 71; Renaissance Art Authory". NY Times.
Millard Lazare Meiss (March 25, 1904 - June 12, 1975) was an American art historian, one of whose specialties was Gothic architecture. Meiss worked as...
of the agonies of Christ and the grief of the Virgin. According to MillardMeiss, "The Rohan Master cared less about what people do than what they feel...
Madonna in the Church is widely considered one of van Eyck's finest; MillardMeiss wrote that its "splendor and subtlety of [its depiction] of light is...
Documenti Pierfrancescani II, Sansepolcro 2014. ISBN 978-8895450445 Meiss, Millard, "A Documented Altarpiece by Piero della Francesca", The Art Bulletin...
Horst W. Janson, "The ‘Image made by Chance’ in Renaissance Thought", MillardMeiss (ed.), De Artibus opuscula XL. Essays in Honor of Erwin Panofsky, New...
frescoes now attributed to the Master of Isaac. In the 1960s, art experts MillardMeiss and Leonetto Tintori examined all of the Assisi frescoes, and found...
In De artibus Opuscula XL: Essays in Honors of Erwin Panofsky, ed. MillardMeiss (New York: New York University Press, 1961), pp. 497–531. For much additional...
"Bedford Workshop" and even the Bedford Trend, a term introduced by MillardMeiss in 1967, which includes a wider period leading up to the key Bedford...
Buffalmacco, the Trionfo della Morte was used by the art historian MillardMeiss in 1951 as a fundamental example (the other being Andrea Orcagna's "Strozzi...
No. 869, Special Issue Devoted to the Italian Trecento in Memory of MillardMeiss (Aug., 1975): p. 517. Maginnis, Hayden B. J. "Pietro Lorenzetti: A Chronology...
grants to professionals in the field: CAA Getty International Program MillardMeiss Publication Fund Terra Foundation for American Art International Publication...
Warne, 1931. Painting in Florence and Siena After the Black Death by MillardMeiss Lisot, Elizabeth A. (2009). Passion, Penance and Mystical Union: Early...
Edmund G. Gardner (1920). Story of Florence. London: J. M. Dent & Co. MillardMeiss (1951). "Chronological Table". Painting in Florence and Siena After...
1960, with a catalogue containing essays by scholars of the calibre of MillardMeiss and Colin Eisler. Vaughan, 202. The complex and unwieldy bureaucratic...
economic theorist 2000 2011 Jack F. Matlock, Jr. historian 1996 2001 MillardMeiss art historian 1958 1974 Emeritus 1974-1975 Benjamin D. Meritt historian...
foreword, which incorporated comments by Harry Bober, L. M. J. Delaissé, MillardMeiss, and Erwin Panofsky. In 1966, the publisher, George Braziller, produced...
and The Anatomy of Architecture were supported by grants from CAA's MillardMeiss Publication Fund. Blier's scholarship has appeared in numerous magazines...
(International Center of Medieval Art) vol. 34, no. 2, pp. 147–161. Meiss, Millard. French painting in the time of Jean de Berry : the Limbourgs and their...
style being present throughout the book. According to art historian MillardMeiss, author of The Visconti Hours, some of these differences are thought...
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