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Michael Tempo (born James Michael Temple) is an American drummer, percussionist and songwriter. Tempo is a prolific session musician, working with artists such as Tom Russell, Michelle Shocked, John Renbourn, Anthony Crawford, Jessica Harper, Prism, The Blazers, Marilyn Martin, Jim Matt, John "Juke" Logan, Rosie Flores, and Peter Alsop.[1]
He was the bandleader of the Bonedaddys for over 36 years.[2][3] He is also a visual artist.[4]
Tempo attended the Kansas City Art Institute, where he studied Graphic Design and Photography and graduated in 1972 with a B.F.A. in Painting and Printmaking. He had art shows in Kansas City, Los Angeles and New Orleans. Also, Tempo, John Puscheck and Michael Randall formed the collaborative art group, the Evil Monkeys. The Evil Monkeys mounted 13 shows before the death of co-founder John Puscheck. The paintings in these exhibitions were in the medium of Krylon on reverse Plexiglass, and each featured a large collaborative triple portrait of the group.[5]
^"Michael Tempo | Credits". AllMusic. Retrieved 2016-01-03.
^"Meet Mike Tempo (Temple) | Bandleader". Shoutoutla.com. 2020-12-14. Retrieved 2023-10-11.
MichaelTempo (born James Michael Temple) is an American drummer, percussionist and songwriter. Tempo is a prolific session musician, working with artists...
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S2CID 25310726. Silverstein, Michael J. (2019). "The Characteristics and Unique Impairments of Comorbid Adult ADHD and Sluggish Cognitive Tempo: An Interim Analysis"...
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cabaletta finale. tempo di valzer Waltz tempotempo giusto In strict time tempo primo, tempo uno, or tempo I (sometimes tempo I° or tempo 1ero) Resume the...
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Giles's compositional ear is evidenced by his ability to weave seamless tempo changes and subtle melodic deviations into his drumming throughout the album...
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steady tempo with a regular beat or pulse. Composers and conductors often use numerical metronome markings to communicate their preferred tempos to musicians...
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dependence of its perception on tempo, and, conversely, the dependence of tempo perception on rhythm. Furthermore, the rhythm–tempo interaction is context dependent...