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Metarealism is a direction in Russian poetry and art that was born in the 1970s to the 1980s (Konstantin Kedrov, Viktor Krivulin, Elena Shvarts, Aleksandr Yeryomenko, Yuri Arabov, Alexei Parshchikov, and others).[1] The term was first used by Mikhail Epshtein, who coined it in 1981 and made it public in the Soviet magazine "Voprosy Literatury" in 1983[2]
M. Epshtein insists that in its philosophic dimension metarealism is "metaphysical realism," while "stylistically" metarealism is "metaphorical" realism.[3] Thus, "meta" means both "through" and "beyond" the reality that we all can see; hence, "metarealism" is the realism of the hyperphysical nature of things. The main expression of its essence is given through a non-visual metaphor or, according to another Epshtein's term, a "metabola" (rather than hyperbole), that means "transfer" or "transition," opening many dimensions.[4] "Metabola" is different from the symbol or a "visual" metaphor, because it assumes the interosculation of realities.[5] Metarealism has little to do with surrealism, since it appeals to the superconscious and not to the subconscious, thus opening up a many-dimensional perception of the world.
Metarealism further gained traction after it became a subject of the House of Artists debate at an exhibition of the hyperrealists, where its utility was discussed as a new method of creation to overcome traditional realism.[6]
^Kahn, Andrew; Lipovetsky, Mark; Reyfman, Irina; Sandler, Stephanie (2018). "Metarealism". A History of Russian Literature. Oxford: Oxford University Press. pp. 639–641. ISBN 9780199663941.
^See his "Theses on Metarealism and Conceptualism" from 1983 and the following years [1] Also: Third Wave: The New Russian Poetry. Ed. K. Johnson & S. M. Ashby. Preface by M. Epshtein, A. Wachtel, A. Parshchikov. University of Michigan Press, 1992 ISBN 0-472-06415-0, p. 10, 53, 184 [2], Tom Epstein's essay «Metarealism» in the anthology Crossing Centuries: The New Generations in Russian Poetry. Ed. High, John. NY: Talisman House Pub., 2000 ISBN 1-883689-90-2, ISBN 978-1-883689-90-2, p. 87-89, and Marjorie Perloff "Russian Postmodernism: An Oxymoron?" in Postmodern Culture, Volume 3, # 2, January 1993 [3].
^See the most detailed explanation and exposition of this term in Epshtein's articles "Theses on Metarealism and Conceptualism" [4], "A Catalogue of the New Poetries" (Russian version) Archived September 4, 2007, at the Wayback Machine and in its English version [5]
^See part 3 in "Михаил Эпштейн". Archived from the original on September 4, 2007. Retrieved October 4, 2007.
^See: M.Epshtein. After the Future: the Paradoxes of Postmodernism & Contemporary Russian Culture. University of Massachusetts Press, 1995, 416 p. ISBN 0-87023-973-2, ISBN 0-87023-974-0, pp. 40–50.
^Mesaros, Caludiu (2011). Knowledge Communication: Transparency, Democracy, Global Governance. Editura Universității de Vest. p. 47. ISBN 9789731253497.
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