The Merry Pranksters were followers of American author Ken Kesey. Kesey and the Merry Pranksters lived communally at Kesey's homes in California and Oregon, and are noted for the sociological significance of a lengthy road trip they took in the summer of 1964, traveling across the United States in a psychedelic painted school bus called Furthur, organizing parties, and giving out LSD.[1] During this time they met many of the guiding lights of the 1960s cultural movement and presaged what are commonly thought of as hippies with odd behavior, tie-dyed and red, white, and blue clothing, and renunciation of normal society, which they dubbed The Establishment. Tom Wolfe chronicled their early escapades in his 1968 book The Electric Kool-Aid Acid Test, and documents a 1966 trip on Furthur from Mexico through Houston, stopping to visit Kesey's friend the novelist Larry McMurtry. Kesey was in flight from a drug charge at the time.[2]
Notable members of the group include Kesey's best friend Ken Babbs, Carolyn "Mountain Girl" Garcia, Lee Quarnstrom, and Neal Cassady. Stewart Brand, Dorothy Fadiman,[3] Paul Foster, George Walker, the Warlocks (later known as the Grateful Dead), Del Close (then a lighting designer for the Grateful Dead), Wavy Gravy, Paul Krassner, and Kentucky Fab Five writers Ed McClanahan and Gurney Norman (who overlapped with Kesey and Babbs as creative writing graduate students at Stanford University) were associated with the group to varying degrees.[citation needed]
These events are also documented by one of the original pranksters, Lee Quarnstrom, in his memoir, When I Was a Dynamiter.
^"Ken Kesey and the Merry Pranksters". Univie.ac.at. Retrieved 2017-07-28.
^Anderson, Kurt (2011-08-12). "Ken Kesey's Magic Trip and Extreme Tango". Studio 360. Retrieved 2017-07-28.
The MerryPranksters were followers of American author Ken Kesey. Kesey and the MerryPranksters lived communally at Kesey's homes in California and Oregon...
Neal Cassady and other friends, who became collectively known as the MerryPranksters. As documented in writer Tom Wolfe's 1968 New Journalism book The Electric...
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