Intangible cultural heritage of Meitei civilization
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Meitei intangible cultural heritage
Clockwise from top: the depictions of events from the classical epic of Khamba Thoibi[a] and Khamba Thoibi classical dance[b] in the Delhi Republic Day parade,[3] the depiction of Lai Haraoba in the Delhi Republic Day parade,[4] the music of Pena (musical instrument), Pung Cholom (Meitei for 'classical drumming performance') of the Meitei Sankirtana, Armenian stamp illustrating Manipuri classical dance as the "national dance" of India[c][d]
Cultural origins
Meitei culture
Publishers
UNESCO
Union Government of India
Government of Armenia[c]
Government of Manipur
Government of Assam
The intangible cultural heritage (ICH) of Meitei civilization is recognised, honoured, preserved as well as promoted by the UNESCO, the Ministry of Culture of the Union Government of India, the Government of Armenia,[c] the State Government of Manipur, the State Government of Assam, the State Government of Tripura, among many other notable institutions.
^—KanglaOnline (2011-04-04). "The great Meitei Reconciliation Process: Revisiting the classical folklore on "Emoinu Chakhong Ngahongbi" by Late Shri Ningomabam Angouton Meetei – KanglaOnline". ... The folklore of Emoinu Celebration from the story "Washak Ngakpa" meaning Keeping the Promise, written by Late Shri Ningombam Angouton Meetei and the classical love story "Khamba -Thoibi" are classical examples of successful reconciliation process of the old Meitei factions... —Delhi, All India Radio (AIR), New (1968-03-17). "Some Classics of Manipur". AKASHVANI: Vol. XXXIII, No.12 ( 17 MARCH, 1968 ). India: All India Radio (AIR), New Delhi. pp. 7, 8.{{cite book}}: CS1 maint: multiple names: authors list (link) —Bond, Ruskin (2000-10-14). "The Story of Khamba and Thoibi". The Penguin Book of Classical Indian Love Stories and Lyrics. Penguin UK. pp. 3, 4. ISBN 978-93-5118-814-8.
^—Pathway Volume 41. Vol. 41. University of Michigan; Marg Foundation (Mumbai, India), Modern Architectural Research Group, Modern Artists and Architects Research Group, National Centre for the Performing Arts (India). 1988. pp. XV. First and foremost are the surviving ritual dances which have been absorbed into the repertoire. The Lai-haraoba and the Khamba Thoibi may be counted amongst these. Their historical and mythical theme makes them as classical as any of the later Vaishnavite dances.{{cite book}}: CS1 maint: others (link) —Doshi, Saryu (1989). Dances of Manipur: The Classical Tradition. University of Michigan. Marg Publications. pp. XIX. ISBN 978-81-85026-09-1. First and foremost are the surviving ritual dances which have been absorbed into the repertoire. The Lai-haraoba and the Khamba Thoibi may be counted amongst these. Their historical and mythical theme makes them as classical as any of the later Vaishnavite dances. They have an element of abhinaya (histrionic representation)... —DM Silveira's India Book. University of Michigan. Classic Publishers. 1994. p. 230. ISBN 978-81-900218-2-1. ...Lai Haraoba is the ritual folk-cum-classical dance of Manipur and tells the story of creation according to the Manipuris. Khamba Thoibi is a popular Manipuri dance which tells the story of princess Thoibi and poor boy Khamba...{{cite book}}: CS1 maint: others (link) —Mãrg. Vol. 41. Pennsylvania State University; National Centre for the Performing Arts (India). p. 109. First and foremost are the surviving ritual dances which have been absorbed into the repertoire. The Lai-haraoba and the Khamba Thoibi may be counted amongst these. Their historical and mythical theme makes them as classical as any of the later Vaishnavite dances. They have an element of abhinaya histrionic representation)...{{cite book}}: CS1 maint: others (link) —Khuraijam, Bobo (2011-03-13). "Three Cheers – KanglaOnline". ... Would it not be like asking for a Hip-Hop dance from a classical Khamba-Thoibi jagoi performance if we expect street aggression from our teachers? ...
^"India's diversity displayed at R-Day parade". Manipur tableau narrated the tale of Khamba and Thoibi - a story of youthful love while
^"Seventeen States and Six Central Ministries to showcase their tableaux in Republic Day Parade – 2017". pib.gov.in. Press Information Bureau (PIB), Ministry of Information and Broadcasting (India). Lai Haraoba is one of the oldest ritualistic theatres of the world jealously preserved by the Meitei community of Manipur with utmost awe and sanctity. The entire community participates in it with complete devotion. Lai Haraoba, translated as 'Happiness of the Gods' is celebrated to worship local deities to bring prosperity and well-being of the land and its inhabitants. These divinities are referred to as Umag Lais or Sylvan Gods as their abodes are located in a wooded area. The sacred ceremonies are conducted by Maibis or priestesses who are adept in dance and sacred rituals. The common people also dance as an act of worship to the accompaniment of the traditional stringed instruments (pena) and drums (langdeng pung). The Manipur tableau is an effort to recreate the ambience of this quaint and rich cultural tradition with a replica of the deities, elaborate traditional paraphernalia and live dancing by the devotees as well as a Maibi (priestess) performing the sacred dance to awaken the God from his slumber.{{cite web}}: CS1 maint: others (link)
^"Two new postage stamps celebrate Armenian, Indian national dances". panarmenian.net.
^"Two new postage stamps dedicated to "Armenia-India joint issue. National dances" theme | Lragir".
^"Two new postage stamps celebrate Armenian, Indian national dances". www.newsinfo.am.
^Sarwal, Amit (2022-05-15). The Celestial Dancers: Manipuri Dance on Australian Stage. Routledge. p. 25. ISBN 978-1-000-62550-9.
^"Dance | Ministry of Culture, Government of India". www.indiaculture.gov.in.
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