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Marr Sound Archives information


Marr Sound Archives
Map
39°2′6.1″N 94°34′35.5″W / 39.035028°N 94.576528°W / 39.035028; -94.576528
Location800 E 51st Street, Kansas City, Missouri, United States
Established1987
AffiliationMiller Nichols Library
Websitelibrary.umkc.edu/sca/marr/

The Marr Sound Archives is an audiovisual archive, a part of the University of Missouri-Kansas City Miller Nichols Library.[1]

The collection includes extensive holdings of jazz, blues, country and popular music; historic voices and authors reading their own works; vintage radio programs; classical and opera. The Marr holds a wide range of historic formats including LPs, 78s, 45s, cylinders, transcription discs, instantaneous-cut discs and open-reel tapes. The archives maintain sound recordings for a number of archival for collections shared with LaBudde Special Collections.[1][2]

The archives were created from a donation of 42,000 items by Olga and Gaylor Marr in 1987.[1] As of 2023, the archives hold over 400,000 recordings.[3]

  1. ^ a b c Komara, E.; Lee, P. (2004). The Blues Encyclopedia. Taylor & Francis. p. 605. ISBN 978-1-135-95831-2. Retrieved 19 January 2024.
  2. ^ Sturman, J. (2019). The SAGE International Encyclopedia of Music and Culture. SAGE Publications. p. 4170. ISBN 978-1-5063-5337-1. Retrieved 19 January 2024.
  3. ^ "Marr Sound Archives". UMKC University Libraries. 10 November 2023. Retrieved 19 January 2024.

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Marr Sound Archives

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Sounds of Kansas City Music, 1890-1945. [Text by] Chuck Haddix (Kansas City, Mo.: University of Missouri at Kansas City, University Libraries, Marr Sound...

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Routledge. p. 161. ISBN 978-0-415-69960-0. Driggs, Frank; Director, Marr Sound Archives University of Missouri-Kansas City Chuck Haddix (1 May 2005). Kansas...

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1925) online. University of Missouri at Kansas City. Marr Sound Archives. Rags to Be-bop: the Sounds of Kansas City Music, 1890–1945. [Text by] Chuck Haddix...

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Archive of Recorded Sound at Stanford University. The bulk of Lehmann's private recordings is held at the Miller Nichols Library Marr Sound Archives at...

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Arts & Culture (2021) The Raymond Scott Collection (audio) at the Marr Sound Archives, University of Missouri, Kansas City, Missouri The Raymond Scott...

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"Midwest Archives Conference: "Don't Knock The Rock"". Scripts & Grooves: The Blog of LaBudde Special Collections and the Marr Sound Archives. May 8, 2014...

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Press. p. 144. ISBN 978-0-8070-7136-6. Driggs, Frank; Director, Marr Sound Archives University of Missouri-Kansas City Chuck Haddix (1 May 2005). Kansas...

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The New York Times, March 1, 2005. Accessed September 12, 2011 "Marr Sound Archives: Frank Driggs Jazz Oral History Collection" Adler, Jerry. "Jazz Man"...

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Sounds of Kansas City Music, 1890-1945. [Text by] Chuck Haddix. Kansas City, Mo.: University of Missouri at Kansas City, University Libraries, Marr Sound...

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Newtown, Connecticut: RadioGOLDINdex, Note: Marr Sound Archives www.library.umkc.edu/marr-collections/archival/goldin Radio Programs, 1924–1984: A Catalog...

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Bob Byler

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Archive, Bowling Green State University Center for Archival Collections and the Marr Sound Archives at the University of Missouri–Kansas City. Byler died...

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Louder Than Bombs

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Ring", sound effects on "Asleep" Johnny Marr – producer (A3) Johnny Marr, Morrissey and Stephen Street – producers (A5–6) Morrissey and Marr – producers...

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The Queen Is Dead

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a Light That Never Goes Out" were sound-checked.: 78  The song "Vicar in a Tutu" was considered "throwaway" by Marr, who stated "It made a change from...

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Meat Is Murder

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build the album's soundscape, Morrissey provided Marr and Street with his personal copies of BBC sound effects records from which to source samples. Morrissey...

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Getting Away with It

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which comprised Bernard Sumner of New Order, ex-Smiths guitarist Johnny Marr, and guesting vocalist Neil Tennant of the Pet Shop Boys. It was first released...

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Modest Mouse

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2022: The Golden Casket Companion EP and Writing with Johnny Marr". Consequence of Sound. Retrieved 22 July 2022. Moreau, Jordan (December 31, 2022)....

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Cemetry Gates

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their third album. Written by Morrissey and Johnny Marr, the song centres around a guitar riff that Marr initially thought was too uninteresting to base...

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Hatful of Hollow

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vocals that sound very distant. All BBC sessions previously unreleased. All lyrics are written by Morrissey; all music is composed by Johnny Marr "THE IMPOTENCE...

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