Man with Pipe (French: Le Fumeur) is a Cubist painting by the French artist Jean Metzinger. It has been suggested that the sitter depicted in the painting represents either Guillaume Apollinaire or Max Jacob.[1][2][3] The work was exhibited in the spring of 1914 at the Salon des Indépendants, Paris, Champ-de-Mars, March 1–April 30, 1914, no. 2289, Room 11.[4] A photograph of Le Fumeur was published in Le Petit Comtois (Au Salon des Indépendants, Les chefs-d'œuvre modernes), 13 March 1914, for the occasion of the exhibition.[5] In July 1914 the painting was exhibited in Berlin at Herwarth Walden’s Galerie Der Sturm, with works by Albert Gleizes, Raymond Duchamp-Villon and Jacques Villon.[6][7]
Le Fumeur, titled Man with Pipe and dated c. 1912, forms part of the permanent collection of the Carnegie Museum of Art, Pittsburgh, Pennsylvania (gift of G. David Thompson, 1953).[8]
^Joann Moser, Jean Metzinger in Retrospect, Cubist works, 1910–1921’’, The University of Iowa Museum of Art, J. Paul Getty Trust, University of Washington Press 1985, pp. 44, 56
^Guillaume Apollinaire, « Quatre nouveaux artistes français », 4 juillet 1914, dans Chroniques d’art 1902-1918, textes réunis avec préface et notes par Leroy C. Breunig, Paris, Gallimard, « Folio essais », 2002, p. 505.
^Nausicaa Dewez, « "... il faut qu’un portrait soit ressemblant pour moi, et bien peint pour la postérité". Le critique d’art face à son portrait », dans Interférences littéraires, nouvelle série, n° 2, « Iconographies de l’écrivain », s. dir. Nausicaa Dewez & David Martens, mai 2009, pp. 41-57
^Maurice Sérullaz, Le Cubisme, Que sais-je ? N° 1036, Presses universitaires de France, 1963
^Le Petit Comtois, Au Salon des Indépendants, Les chefs-d'œuvre modernes, 13 March 1914, Culture Besançon
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