Portrait of a Man is the conventional title of several maleportraitsby the Italian Renaissance artist AntonellodaMessina. One such painting is in the...
AntonellodaMessina (Italian pronunciation: [antoˈnɛlloda (m)mesˈsiːna]; c. 1425–1430 – February 1479), properly Antonello di Giovanni di Antonio, but...
known maleportrait painting, and the identity of its sitter has been closely debated among scholars. Perhaps influenced byAntonellodaMessina's introduction...
artist to make changes readily, such as altering facial details. AntonellodaMessina was one of the first Italians to take advantage of oil. Trained in...
ˈliːza]; French: Joconde [ʒɔkɔ̃d]) is a half-length portrait painting by Italian artist Leonardo da Vinci. Considered an archetypal masterpiece of the...
painted over by later restorers may explain why scholars previously attributed this maleportrait to the Italian painter AntonellodaMessina. The stark...
Madonna of the Rocks, is the name of two paintings by the Italian Renaissance artist Leonardo da Vinci, of the same subject, with a composition which...
seems to have been strongly influenced byAntonellodaMessina, who was then active in the city. The fine portrait of a Venetian Senator (currently at the...
Bartolomeo Montagna by 1484. He painted in the style of Giovanni Bellini, but afterwards became a pupil of AntonellodaMessina. In Vicenza, he painted...
Paolo Uccello Pisanello Domenico Veneziano Melozzo da Forlì Gentile da Fabriano AntonellodaMessina Jan van Eyck Rogier van der Weyden Roger Jones and...
psychological portrait that revealed the thoughts and emotions of his subjects. In this he was continuing the tradition begun byAntonellodaMessina and a good...
known to have worked from 1450 to 1499. He learned oil painting from AntonellodaMessina, and is said to have produced, in 1473, the first oil picture done...
painted self-portraits and has been identified as one of the first self-portraits painted by a Northern artist. It was acquired in 1922 by the Louvre in...
austere wise model portrayed byAntonellodaMessina rather than the disheveled and gaunt figure devoured by penitence preferred by 16th and 17th century painters...
emotional poignancy. Its realism has been described as unique among the portraits of the Quattrocento. The picture portrays an older man in a red robe,...
mid–1630s, supporters of Andrea Sacchi (1599–1661) and supporters of Pietro da Cortona (1596–1669) argued much about the ideal number of human figures for...