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Madhyamavati
Arohanam
S R2 M1 P N2 S
Avarohanam
S N2 P M1 R2 S
Carnatic music
Tanjavur-style tambura
Concepts
Śruti
Svara
Rāga
Tāḷa
Mēḷakarta
Asaṃpūrṇa Mēḷakarta
Compositions
Gītaṃ
Svarajati
Varṇaṃ
Kr̥ti
Kīrtana
Rāgaṃ Tānaṃ Pallavi
Tillana
Instruments
Melody
Sarasvati Vīṇā
Veṇu
Nādasvaraṃ
Goṭṭuvādyaṃ (Citra Vīṇā)
Violin
Percussion
Mr̥daṅgaṃ
Ghaṭaṃ
Morsing
Kanjira
Thavil
Drone
Tambura
Shruti box
Composers
Glossary
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e
Madhyamavati (madhyamāvati) is a raga in Carnatic music (musical scale of South Indian classical music). It is an audava rāga (or owdava rāga, meaning pentatonic scale), as it does not have all the seven musical notes (swaras). It is a janya rāga (derived scale). The equivalent of Madhyamavati in Hindustani music is Madhumad Sarang.[1][2] It also has other equivalents in Hindustani music such as ragas Megh and Megh Malhar.
It is considered a very auspicious rāgam and every Carnatic music concert ends with either a song in Madhyamavati or the ending of the last song is sung in this rāgam.[3] It is very suitable for elaboration and exploration due to even spacing of notes. The scale uses the first three notes of the cycle of fifths S, P and R2 and fourths S, M1 and N2.[3]
^Raganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras
^Rao, B. Subba (1956). Bharatiya Sangeet: Raga Nidhi: Encyclopedia of Indian Ragas, a Comparative Study of Hindustani & Karnatak Ragas. V. Patwardhan, Chairman, Vishnu Digambar Smarak Samiti.
^ abRagas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
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