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Lowestoft Porcelain Factory information


Teabowl and saucer, c. 1770, with a version of the "Redgrave" pattern

The Lowestoft Porcelain Factory was a soft-paste porcelain factory on Crown Street (then Bell Lane) in Lowestoft, Suffolk, England, which was active from 1757 to 1802.[1] It mostly produced "useful wares" such as pots, teapots, and jugs, with shapes copied from silverwork or from Bow and Worcester porcelain.[2] The factory, built on the site of an existing pottery or brick kiln, was later used as a brewery and malt kiln. Most of its remaining buildings were demolished in 1955.[3]

Lowestoft collectors divide the factory's products into three distinct periods: Early Lowestoft c. 1756 – c. 1761, Middle-Period c. 1761 – c. 1768 and Late-Period c. 1768 to factory closure in 1802.[3][4] All told, the factory was in production for longer than any English soft-paste porcelain producer other than Royal Worcester and Royal Crown Derby.[3] Geographically, it was isolated from other porcelain factories, or indeed makers of fine earthenware, which probably accounts for a relatively slow-moving stylistic development. It was also relatively small, with a maximum workforce of about 70. Nonetheless, it survived longer than the average English factory, perhaps because it had less competition in the local market.[5] The factory produced experimental wares in about 1756 and first advertised their porcelain in 1760.[3] Although Lowestoft probably sold mainly to the local East Anglian market, by 1770 it had a warehouse, effectively a shop, in Cheapside, London.[6]

Teapot, c. 1770

During the early period wares decorated with Chinese-inspired scenes in underglaze blue were produced. This type of decoration continued to form the majority of production throughout the life of the factory but scenes were gradually simplified. Overglaze colours in enamel were used from about 1768, generally in white and blue or in a polychrome that utilizes a bright brick red.[7] After 1770 transfer printing was used. Some figures were made, mostly in the 1780s, of musicians, putti, and animals, but these are all rare.[8]

The Lowestoft body paste contained bone ash, and is similar to that of Bow; probably a former worker at Bow was employed when the factory began. Occasionally there can be difficulties telling the two apart, usually with blue and white pieces.[9] The quality of the porcelain is not the highest, especially after 1770, but even the less polished pieces have "the appealling simplicity of folk art",[10] and the high proportion of commemorative pieces, inscribed for people, places or occasions, add to their interest.[11] Many such documentary pieces are dated which, together with the wasters excavated at the site in 1902 and 1967, has helped to build up a good picture of the factory's products.[12]

  1. ^ On the traditional account. See Honey, 199. Godden, 121–122, 126–130 is not so sure, but 1760 to 1800 seems a minimal estimate of the years of actual procuction.
  2. ^ Lowestoft porcelain, Encyclopædia Britannica. Retrieved 2014-11-30.
  3. ^ a b c d Lowestoft Porcelain Factory, kilns etc., Heritage Gateway. Retrieved 2011-05-05
  4. ^ Today – a phoenix from the ashes!, Lowestoft Porcelain index. Retrieved 2011-04-21.
  5. ^ Battie, 133–134; Honey, 208; Godden, 130
  6. ^ Honey, 199; Advertisement of March 17th, 1770: "Clark Durnford, Lowestoft China Warehouse, No 4 Great St. St Thomas the Apostle, Queen St, Cheapside, London, where merchants and shopkeepers may be supplied with any quantity of the said ware at the usual prices. NB - Allowance of Twenty per cent for Ready Money. Robert Browne & Co, China Manufactory, Lowestoft, Suffolk"
  7. ^ Lowestoft Archived 10 June 2011 at the Wayback Machine, Eastern Daily Press, 2010-04-14. Retrieved 2011-05-11.
  8. ^ Battie, 133; Godden, 125; Honey, 208–210
  9. ^ Honey, 199
  10. ^ Battie, 134
  11. ^ Honey, 208
  12. ^ Honey, 200

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