Lothar Osterburg | |
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Born | 1961 (age 62–63) Braunschweig, West Germany |
Nationality | German |
Education | Hochschule für bildende Künste Braunschweig |
Known for | Printmaking, sculpture, photography, filmmaking |
Spouse | Elizabeth Brown |
Awards | John S. Guggenheim Fellowship, American Academy of Arts and Letters, New York Foundation for the Arts |
Website | Lothar Osterburg |
Lothar Osterburg (born 1961) is a German-born, New York-based artist and master printer in intaglio, who works in sculpture, photography, printmaking and video.[1][2][3] He is best known for photogravures featuring rough small-scale models of rustic structures, water and air vessels, and imaginary cities, staged in evocative settings and photographed to appear life-size to disorienting, mysterious or whimsical effect.[4][5][6] New York Times critic Grace Glueck writes that Osterburg's rich-toned, retro prints "conjur[e] up monumental phenomena by minimal means"; Judy Pfaff describes his work as thick with film noir–like atmosphere, warmth, reverie, drama and timelessness.[7][1]
Osterburg has received a Guggenheim Fellowship and awards from the American Academy of Arts and Letters and New York Foundation for the Arts,[8][9][10] and his work has been acquired by the Metropolitan Museum of Art, Library of Congress and Art Institute of Chicago, among others.[11][12] He has exhibited at the International Print Center New York, Peruvian North American Cultural Institute (ICPNA, Lima, Peru), Museum of Fine Arts Boston, and Center for Photography at Woodstock (CPW).[13][14] As a master printer, Osterburg has worked with artists including Ida Applebroog, Lee Friedlander, Adam Fuss, David Lynch, McDermott and McGough, and Lorna Simpson.[5][15] After working in Brooklyn for many years, he is now based near Red Hook, New York in the Hudson Valley and serves as Artist-in-Residence in printmaking at Bard College.[10]