This schema, or explanatory outline, for the novel Ulysses was produced by its author, James Joyce, in 1920 in order to help a friend (Carlo Linati) understand the fundamental structure of the book.[1] The schema has been split into two tables for better ease of reading.
Title | Time | Colour | People | Science / Art | Meaning |
---|---|---|---|---|---|
Telemachus | 8 — 9 a.m. | Gold / white |
|
Theology | Dispossessed son in contest |
Nestor | 9 — 10 a.m. | Brown |
|
History | The wisdom of the ancients |
Proteus | 10 — 11 a.m. | Green[a] |
|
Philology | Primal matter |
Calypso | 8 — 9 a.m. | Orange |
|
Mythology | The departing wayfarer |
Lotus Eaters | 9 — 10 a.m. | Dark brown |
|
Chemistry | The temptation of faith |
Hades | 11 a.m. — 12 noon | Black-white |
|
- | The descent into nothingness |
Aeolus | 12 noon — 1 p.m. | Red |
|
Rhetoric | The derision of victory |
Lestrygonians | 1 — 2 p.m. | Blood red |
|
Architecture | Despondency |
Scylla and Charybdis | 2 — 3 p.m. | - |
|
Literature | The double-edge sword |
Wandering Rocks | 3 — 4 p.m. | Rainbow |
|
Mechanics | The hostile milieu |
Sirens | 4 — 5 p.m. | Coral |
|
Music | The sweet deceit |
Cyclops | 5 — 6 p.m. | Green |
|
Surgery | Egocidal terror |
Nausicaa | 8 — 9 p.m. | Grey |
|
Painting | The projected mirage |
Oxen of the Sun | 10pm - 11pm | White |
|
Physics | The eternal herds |
Circe | 11 p.m. — 12 midnight | Violet |
|
Dance | The man-hating ogress |
Eumaeus | 12 midnight — 1 a.m. | - |
|
- | The ambush on home ground |
Ithaca | 1 — 2 a.m. | - |
|
- | Armed hope |
Penelope | - |
|
- | The past sleeps |
Title | Technic | Organ | Symbols |
---|---|---|---|
Telemachus | Dialogue for three and four,
narration, soliloquy |
- | Hamlet, Ireland, Stephen |
Nestor | Dialogue for 2,
narration, soliloquy |
- | Ulster, woman, practical sense |
Proteus | Soliloquy | - | World, tide, Moon, evolution, metamorphosis |
Calypso | Dialogue for 2,
soliloquy |
Kidneys | Vagina, exile, nymph, Israel in captivity |
Lotus Eaters | Dialogue, prayer, soliloquy | Skin | Host, penis in the bath, froth, flower, drugs, castration, oats |
Hades | Dialogue, narration | Heart | Cemetery, sacred heart, the past, the unknown man, the unconscious, heart defect, relics, heartbreak |
Aeolus | Simbouleutike, dikanike, epideictic, tropes | Lungs | Machines, wind, fame, kite, failed destinies, the press, mutability |
Lestrygonians | Peristaltic prose | Oesophagus | Bloody sacrifice,
food, shame |
Scylla and Charybdis | Whirlpools | Brain | Hamlet,
Shakespeare, Christ, Socrates, London, Stratford, scholasticism, mysticism, Plato, Aristotle, youth, maturity |
Wandering Rocks | Shifting labyrinth between two shores | Blood | Caesar,
Christ, errors, homonyms, synchronisms, resemblances |
Sirens | Fuga per canonem[b] | Ear | Promises,
female, sounds, embellishments |
Cyclops | Alternating asymmetry | Muscles, bones | Nation,
state, religion, dynasty, idealism, exaggeration, fanaticism, collectivity |
Nausicaa | Retrogressive progression | Eye, nose | Onanism,
feminine, hypocrisy |
Oxen of the Sun | Prose, embryo, foetus, birth | Matrix, uterus | Fertilisation,
frauds, parthenogenesis |
Circe | Exploding vision | Locomotor apparatus, skeleton | Zoology,
personification, pantheism, magic, poison, antidote, reel |
Eumaeus | Relaxed prose | Nerves | - |
Ithaca | Dialogue, pacified style, fusion | Juices | - |
Penelope | Monologue, resigned style | Fat | - |
Cite error: There are <ref group=lower-alpha>
tags or {{efn}}
templates on this page, but the references will not show without a {{reflist|group=lower-alpha}}
template or {{notelist}}
template (see the help page).