Citizen Kane is a 1941 American drama film directed by, produced by, and starring Orson Welles. Welles and Herman J. Mankiewicz wrote the screenplay. Citizen Kane is frequently cited as the greatest film ever made.[1]
Kane was the only film made under Welles's original contract with RKO Pictures, which gave him complete creative control.[2]: 223 Welles's new business manager and attorney permitted the contract to lapse. In July 1941,[3][4] Welles reluctantly signed a new and less favorable deal with RKO[2]: 223 under which he produced and directed The Magnificent Ambersons (1942), produced Journey into Fear (1943), and began It's All True, a film he agreed to do without payment. In the new contract Welles was an employee of the studio[5] and lost the right to final cut, which later allowed RKO to modify and re-cut The Magnificent Ambersons over his objections.[2]: 223 In June 1942, Schaefer resigned the presidency of RKO Pictures and Welles's contract was terminated by his successor.[6]
The European release of Kane was delayed until after World War II, premiering in Paris in 1946. Initial reception by French critics was influenced by negative views from Jean-Paul Sartre and Georges Sadoul, who criticized Hollywood's cultural sophistication and the film's nostalgic use of flashbacks. However, critic André Bazin delivered a transformative speech in 1946 that shifted public opinion. Bazin praised the film for its innovative use of mise-en-scène and deep focus cinematography, advocating for a filmic realism that allows audiences to engage more actively with the narrative. Bazin's essays, especially "The Technique of Citizen Kane," played a crucial role in enhancing the film's reputation, arguing it revolutionized film language and aesthetics. His defense of "Citizen Kane" as a work of art influenced other critics and contributed to a broader re-evaluation of the film in Europe and the United States.
In the U.S., the film was initially neglected until it began appearing on television in the 1950s and was re-released in theaters. American film critic Andrew Sarris was significant in reviving its reputation, describing it as a profoundly influential American film. Over the decades, "Citizen Kane" has been consistently ranked highly in critical surveys and polls, often cited as the greatest film ever made.
The film's narrative structure, cinematography, and themes have influenced countless filmmakers and films worldwide, asserting its place as a cornerstone in the history of cinema. Notable film directors and critics have acknowledged its impact on their work and the broader film landscape, underscoring its enduring legacy in both theory and practice.
^The Sight & Sound Poll of the Greatest Films of All Time
"1952 Critics' poll". British Film Institute. Archived from the original on 8 October 2014. Retrieved 27 November 2016.
"As the Critics Like It". Sight & Sound. Vol. 22, no. 2. British Film Institute. October–December 1952. p. 58.
"1962 Critics' poll". British Film Institute. Archived from the original on 8 October 2014. Retrieved 27 November 2016.
"Top Ten". Sight & Sound. Vol. 31, no. 1. British Film Institute. Winter 1961–1962. p. 10.
"1972 Critics' poll". British Film Institute. Archived from the original on 8 October 2014. Retrieved 27 November 2016.
"Top Ten 72". Sight & Sound. Vol. 41, no. 1. British Film Institute. Winter 1971–1972. pp. 12–13.
"1982 Critics' poll". British Film Institute. Archived from the original on 8 October 2014. Retrieved 27 November 2016.
"Top Ten 1982". Sight & Sound. Vol. 51, no. 4. British Film Institute. Autumn 1982. p. 243.
"1992 Directors' and Critics' poll". British Film Institute. Archived from the original on 8 October 2014. Retrieved 27 November 2016.
"Top Ten: 250 Verdicts". Sight & Sound. Vol. 2, no. 8. British Film Institute. December 1992. pp. 18–30.
"2002 poll introduction". British Film Institute. Archived from the original on 16 July 2013. Retrieved 27 November 2016.
"2002 Critics' poll". British Film Institute. Archived from the original on 13 August 2016. Retrieved 27 November 2016.
"2002 Directors' poll". British Film Institute. Archived from the original on 1 February 2017. Retrieved 27 November 2016.
"2012 Critics' poll". British Film Institute. Archived from the original on 1 March 2017. Retrieved 27 November 2016.
"2012 Directors' poll". British Film Institute. Archived from the original on 11 August 2012. Retrieved 27 November 2016.
^ abcLeaming, Barbara (1985). Orson Welles, A Biography. New York: Viking Press. ISBN 978-0-618-15446-3.
^Wilson, Jeff (November 29, 2006). "Jack Moss: The Man Who Ruined Welles?". Wellesnet. Archived from the original on June 30, 2016. Retrieved April 12, 2016.
^French, Lawrence (March 2, 2012). "The Memos—Orson Welles' The Magnificent Ambersons turns 70: Triumph or Tragedy?". Wellesnet. Archived from the original on March 13, 2016. Retrieved April 12, 2016.
^Brady, Thomas (November 16, 1941). "Genius Under Stress: Spending RKO's Money Worries Orson Welles". The New York Times. Archived from the original on July 29, 2018. Retrieved April 12, 2016.
^"The Memos Part X: George Schaefer resigns as RKO president ..." Wellesnet.com. July 5, 2012. Archived from the original on October 18, 2012. Retrieved December 11, 2014.
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