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Jorge Luis Farjat information


Jorge Luis Farjat (born 17th September, 1950) is an Argentinian producer of audiovisual and literary works, mainly dedicated to his theory about the audiovisual art, which is understood to be the language aesthetics that combines fixed images (photography) with sound, specially music, in a whole organized by a montage and shown under the same conditions than the cinema (movie theater or darkroom camera). His audiovisual works comprise several periods and amount to twenty-six productions of mean and long duration, mostly documentaries. His literary work includes seventeen books which belongs to the Audiovisual Art and Memory Collection, and which are about his audiovisual theory[1] development, the immigration history, and philosophy, such as Migraciones y supervivencia (Migrations and survival. Main excerpts) or, art in general, such as La crisis y deshumanización del arte en el siglo XX. Su manifestación en la música The crisis and dehumanization of art in the 20th century: its representation in music. The books in this collection were declared of cultural interest by the Government of the Province of Buenos Aires.[citation needed]

Diorama of Louis Daguerre and Charles Marie Bouton (1822), historical background of the audiovisual art, back further than the cinema, along with the magic lantern (1660). The curtains painted with overlapped landscapes offered the audience successive and changing images inside a darkroom camera, with a sound effect of nature. Due to its principles of action, development and ending, and the dissolve effect of one image over the other, it constituted the same principles than the current audiovisual art: photos shown with lap dissolve together with the sound in an articulated montage.
  1. ^ Audiovisual Theory. 2003. Colección de Arte y Memoria Audiovisual. Declared of cultural interest by the Buenos Aires Province Government. Res. 103

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