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Jacopo Strada information


Portrait of Jacopo Strada by Titian, 1567[1] (Kunsthistorisches Museum, Vienna)

Jacopo Strada (Mantua, 1507 – Prague 1588) was an Italian polymath courtier, painter, architect, goldsmith, inventor of machines, numismatist, linguist, collector, and merchant of works of art.[2] His portrait by Titian has kept his image familiar.[3]

  1. ^ The date of Strada's visit to Venice, and consequently the dates of his and his son's portraits, was established by Heinrich Zimmermann, "Zur richtigen Datierung eines Portraits von Tizian in der Wiener kaiserlichen Gemälde-Galerie", Mittheilungen des Institutes für österrreichische Geschichtsforschung 6 (1901:830-57).
  2. ^ For Strada's role as a merchant of works of art, see Dirk Jacob Jansen, "Jacopo Strada et le commerce d'art", Revue de l'art 77 (1987:11-21; John F, Hayward, "Jacopo Strada, XVIth century antique dealer, Art & Auction 1971-12 (1973:68-74).
  3. ^ His career at the court of Maximilian II, Holy Roman Emperor, is one of four selected as exemplars by Howard Louthan, The Quest for Compromise: Peacemakers in Counter-Reformation Vienna (Cambridge University Press) 1997. ISBN 978-0-521-58082-3.

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Jacopo Strada

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Jacopo Strada (Mantua, 1507 – Prague 1588) was an Italian polymath courtier, painter, architect, goldsmith, inventor of machines, numismatist, linguist...

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Portrait of Jacopo Strada

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of Jacopo Strada is a 1567-68 portrait of the court librarian Jacopo Strada by Titian, now held in the Kunsthistorisches Museum in Vienna. Strada was...

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Art dealer

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antiquities, including coins. The somewhat disreputable character of Jacopo Strada is often said to be reflected in his portrait by Titian (1567).[citation...

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Serge Sorokko

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premiere of drawings by the 16th century Italian artist Jacopo Strada. Entitled "Jacopo Strada (1510 – 1588). Mannerist Splendor: Extravagant Designs for...

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Venus of Urbino

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Unknown Lady (c. 1550–1560  – also attributed to Titian's workshop) Jacopo Strada (1567–1568) A Lady in White (c. 1561) Self portraits Self-Portrait (1546–1547)...

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List of works by Titian

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Self-portrait c. 1567 86 × 65 cm Museo del Prado (Madrid) Portrait of Jacopo Strada c. 1567–1568 125 × 95 cm Kunsthistorisches Museum (Vienna) Judith with...

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Bacchus and Ariadne

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Hermitage Museum Eustache Le Sueur, Boston MFA Sebastiano Ricci, Chiswick House Jacopo Tintoretto, Bacchus, Venus and Ariadne, Doge's Palace, Venice. A copy of...

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1570s in architecture

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(Antiquarium) in the Munich Residenz, designed by Wilhelm Egkl and Jacopo Strada. 1571–1572 – Loggia of Palazzo del Capitaniato in Vicenza, designed...

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Antiquarium

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the ground floor) and library (on the upper floor) based on ideas by Jacopo Strada from Mantua. In 1580-1584 Friedrich Sustris was commissioned to convert...

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Titian

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suddenly in 1556, and another close intimate, the sculptor and architect Jacopo Sansovino, in 1570. In September 1565 Titian went to Cadore and designed...

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Sacred and Profane Love

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the tower. These develop from the group in the Dresden Venus. In Titian's Jacopo Pesaro being presented by Pope Alexander VI to Saint Peter (probably before...

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Venus with a Mirror

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Unknown Lady (c. 1550–1560  – also attributed to Titian's workshop) Jacopo Strada (1567–1568) A Lady in White (c. 1561) Self portraits Self-Portrait (1546–1547)...

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Virgin and Child with Saint John the Baptist and an Unidentified Saint

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Unknown Lady (c. 1550–1560  – also attributed to Titian's workshop) Jacopo Strada (1567–1568) A Lady in White (c. 1561) Self portraits Self-Portrait (1546–1547)...

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Pesaro Madonna

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painting by the late Italian Renaissance master Titian, commissioned by Jacopo Pesaro, whose family acquired in 1518 the chapel in the Frari Basilica in...

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Tarquin and Lucretia

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Unknown Lady (c. 1550–1560  – also attributed to Titian's workshop) Jacopo Strada (1567–1568) A Lady in White (c. 1561) Self portraits Self-Portrait (1546–1547)...

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La Schiavona

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Unknown Lady (c. 1550–1560  – also attributed to Titian's workshop) Jacopo Strada (1567–1568) A Lady in White (c. 1561) Self portraits Self-Portrait (1546–1547)...

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