The Internet of Musical Things (also known as IoMusT) is a research area that aims to bring Internet of Things connectivity[1][2][3] to musical and artistic practices. Moreover, it encompasses concepts coming from music computing, ubiquitous music,[4] human-computer interaction,[5][6] artificial intelligence,[7] augmented reality, virtual reality, gaming, participative art,[8] and new interfaces for musical expression.[9] From a computational perspective, IoMusT refers to local or remote networks embedded with devices capable of generating and/or playing musical content.[10][11]
^Atzori, Luigi; Iera, Antonio; Morabito, Giacomo (October 2010). "The Internet of Things: A survey". Computer Networks. 54 (15): 2787–2805. doi:10.1016/j.comnet.2010.05.010. S2CID 2630520.
^Borgia, Eleonora (December 2014). "The Internet of Things vision: Key features, applications and open issues". Computer Communications. 54: 1–31. doi:10.1016/j.comcom.2014.09.008.
^Miorandi, Daniele; Sicari, Sabrina; De Pellegrini, Francesco; Chlamtac, Imrich (September 2012). "Internet of things: Vision, applications and research challenges". Ad Hoc Networks. 10 (7): 1497–1516. doi:10.1016/j.adhoc.2012.02.016. hdl:11383/1762288. S2CID 205287824.
^Keller, Damián; Lazzarini, Victor; Pimenta, Marcelo S., eds. (2014). Ubiquitous Music. Computational Music Science. doi:10.1007/978-3-319-11152-0. ISBN 978-3-319-11151-3.[page needed]
^Preece, Jenny; Rogers, Yvonne; Sharp, Helen (2015). Interaction design: beyond human-computer interaction (4th ed.). Chichester: John Wiley & Sons. ISBN 978-1-119-02075-2. OCLC 904425795.[page needed]
^Rowland, Claire; Goodman, Elizabeth; Charlier, Martin; Light, Ann; Lui, Alfred (2015). Designing Connected Products: UX for the Consumer Internet of Things (1st ed.). Sebastopol: O'Reilly Media. ISBN 978-1-4493-7272-9. OCLC 909772560.[page needed]
^Burgoyne, John Ashley; Fujinaga, Ichiro; Downie, J. Stephen (2015). "Music Information Retrieval". A New Companion to Digital Humanities. pp. 213–228. doi:10.1002/9781118680605.ch15. ISBN 978-1-118-68059-9.
^Wu, Yongmeng; Zhang, Leshao; Bryan-Kinns, Nick; Barthet, Mathieu (January 2017). "Open Symphony: Creative Participation for Audiences of Live Music Performances". IEEE MultiMedia. 24 (1): 48–62. doi:10.1109/mmul.2017.19. S2CID 216906649.
^Jensenius, Alexander Refsum; Lyons, Michael (2017). A NIME Reader Fifteen Years of New Interfaces for Musical Expression. Springer. ISBN 978-3-319-47214-0. OCLC 981923724. {{cite book}}: |work= ignored (help)[page needed]
^Barthet, Mathieu; Schiavoni, Flávio Luiz (5 November 2020). Everyday Use of the Internet of Musical Things: Intersections with Ubiquitous Music (Preprint). doi:10.5281/zenodo.4247759.
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