The International Sweethearts of Rhythm was an American jazz ensemble, believed to be the first racially-integrated all-female band in the United States.
During the 1940s, the band featured some of the best female musicians of the day.[1] They played swing and jazz on a national circuit that included the Apollo Theater in New York City, the Regal Theater in Chicago, and the Howard Theater in Washington, D.C.[2][3] After a performance in Chicago in 1943, the Chicago Defender announced the band was "one of the hottest stage shows that ever raised the roof of the theater!"[4] They have been labeled "the most prominent and probably best female aggregation of the Big Band era".[5] During feminist movements of the 1960s and 1970s in America, the International Sweethearts of Rhythm became popular with feminist writers and musicologists who wanted to highlight previously-overlooked contributions from female musicians.
^Sher, Liz (Spring 1987). "The International Sweethearts of Rhythm". Sage: A Scholarly Journal on Black Women. 4 (1): 59–60. ISSN 0741-8639.
^Berger, Jon (2000). "Remembering the Sweethearts of Rhythm". www.womanrock.com. Archived from the original on March 7, 2008. Retrieved August 21, 2019.
^Reitz, Rosetta (1990). "Sweethearts on Parade". In Hickok, Gloria Nando (ed.). The Helicon Nine Reader: A Celebration of Women in the Arts. Kansas City: Helicon Nine Editions. p. 325. ISBN 9780962746000. OCLC 24068468.
^Daniels, Douglas Henry (2006). One O'clock Jump: The Unforgettable History of the Oklahoma City Blue Devils. Boston, Massachusetts: Beacon Press. p. 197. ISBN 9780807071366. OCLC 55800901.
^Albertson, Chris (November–December 2000). "The Girls Could Swing, Too". The New Crisis. 107 (6): 48. ISSN 1559-1603.
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