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India Since the 90s is a six-volume collection of texts and images produced over the last three decades, in social theory, performance, moving image practices, urban studies, museum studies and photography.[1] The six titles in the series are The Hunger of the Republic: Our Present in Retrospect (edited by Ashish Rajadhyaksha), Improvised Futures: Encountering the Body in Performance (edited by: Ranjana Dave), The Vanishing Point: Moving Images After Video (edited by: Rashmi Devi Sawhney), Cities on the Ground: The New ‘Urban’ Experience (edited by Solomon Benjamin and the Frozen Fish Collective), Another Lens: Photography Practices and Image Cultures (edited by: Rahaab Allana) and Ghosts of Future Nations: Gods, Migrants and Tribals in the Late-Modern Museum (edited by: Kavita Singh).[2][3][4] The series, conceptualised by Series Editor Ashish Rajadhyaksha, and designed by Gauri Nagpal, was conceived in collaboration with the Shanghai-based West Heavens initiative supported by the Hong Kong-based art curator Chang Tsong-Zung.[5] Three titles have been published in the series in 2021–2022.[6]
^For more on the series see https://tulikabooks.in/series/post/india-since-the-90s/
^Rajadhyaksha, Ashish (2021). The Hunger of the Republic: Our Present in Retrospect. Tulika Books. ISBN 978-81-945348-1-5.
^Dave, Ranjana (2021). Improvised Futures: Encountering the Body in Performance. New Delhi: Tulika Books. ISBN 978-81-945348-2-2.
^Sawhney, Rashmi Devi (3 January 2023). The Vanishing Point: Moving Images After Video (2022 ed.). New Delhi: Tulika Books. ISBN 978-81-947175-8-4.
^https://westheavens.net/en/publisher West Heavens is a small Shanghai-based organization set up in 2010 to set up different layers of interaction between Indian and Chinese artists.
^The series is distributed worldwide by Columbia University Press. See https://cup.columbia.edu/series/india-since-the-90s columbia
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