In film studies, historical poetics is a scholarly approach to studying film, which David Bordwell outlined in his book Making Meaning (1989).[1] Poetics studies the text itself rather than its production, reception or cultural significance and it can therefore be seen as a logical first step - though expressly not the last step - in terms of understanding how a narrative text (i.e. a television series or a film) works.[2]
^Ira Stig Bhaskar (2004), "Historical Poetics, Narrative, and Interpretation" in A Companion to Film Theory (eds. Toby Miller & Robert Stan). Malden, MA: Blackwell Publishing, p. 387. Bhaskar's article is a critical account of historical poetics.
^Michael Z. Newman (2006) "From Beats to Arcs: Toward a Poetics of Television Narrative." The Velvet Light Trap Number 58, Fall 2006, p. 26.
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(alongside more contextually-specific derivative terms such as poetic license, historical license, dramatic license, and narrative license) refers to deviation...
School of Cinematic Arts in 2006. Analytic Cognitive film theory Historicalpoetics Linguistic film theory Neoformalism Classical Formalist film theory...
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similar to an elision. Descriptive poeticsHistoricalpoetics Negative capability Pathetic fallacy Poetic diction Poetic license Porson's Law Resolution:...
resulted in "poetics"—the study of the aesthetics of poetry. Some ancient societies, such as China's through the Shijing, developed canons of poetic works that...
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the University of California, Irvine. She is one of the founders of historicalpoetics and of the new lyric studies, and is credited with "energiz[ing] criticism"...
canons of poetic works that had ritual as well as aesthetic importance. Context can be critical to poetics and to the development of poetic genres and...
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Poetic justice, also called poetic irony, is a literary device with which ultimately virtue is rewarded and misdeeds are punished. In modern literature...