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Hanacpachap cussicuinin information


First page of the original edition of Hanacpachap cussicuinin

Hanacpachap cussicuinin (modern orthography: Hanaq pachap kusikuynin) is a processional hymn to the Virgin Mary in the Quechua language but in a largely European sacred music style. Composed by an Inca student of Juan Pérez de Bocanegra between 1620 and 1631,[1] a Franciscan priest, published in 1631 in the Viceroyalty of Peru making it the earliest work of vocal polyphony printed in the New World.[2][1]

  1. ^ a b Bruce Mannheim, "A Nation Surrounded," in Native Traditions in the Postconquest World, ed. Elizabeth Hill Boone and Tom Cummins, 383–420 (Dumbarton Oaks, 1998), 388.
  2. ^ Robert M. Stevenson, Music in Aztec and Inca Territory (Berkeley and Los Angeles: University of California Press, 1968), 280–281.

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Hanacpachap cussicuinin

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Hanacpachap cussicuinin (modern orthography: Hanaq pachap kusikuynin) is a processional hymn to the Virgin Mary in the Quechua language but in a largely...

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polyphonic music in Peru, indeed anywhere in the Americas, was "Hanacpachap cussicuinin," composed or collected by Juan Pérez Bocanegra and printed in...

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years later, when Juan Pérez Bocanegra printed the Quechua hymn "Hanacpachap cussicuinin," he conspicuously avoided the term unquy, though it would fit...

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