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Gwendolyn Audrey Foster information


Gwendolyn Audrey Foster
Born1960 (age 63–64)
United States
EducationRutgers University (B.A. English, 1983)
University of Nebraska at Lincoln
(M.A., 1992; Ph.D., 1995)
Douglass College
Occupation(s)Scholar, filmmaker
Known forWomen Who Made the Movies
PartnerWheeler Winston Dixon
Awards1998 AAUW Emerging Scholar[1]
2004 College of Arts & Sciences Distinguished Teaching Award, University of Nebraska at Lincoln
Websitegwendolynaudreyfoster.com

Gwendolyn Audrey Foster is an experimental filmmaker, artist and author. She is Willa Cather Professor Emerita in Film Studies. Her work has focused on gender, race, ecofeminism, queer sexuality, eco-theory, and class studies.[1][2][3][4][5][6][7][8][9][10][11] From 1999 through the end of 2014, she was co-editor along with Wheeler Winston Dixon of the Quarterly Review of Film and Video.[4][12][13] In 2016, she was named Willa Cather Endowed Professor of English at the University of Nebraska at Lincoln and took early retirement in 2020.[14]

  1. ^ a b May 6, 1998, University of Nebraska-Lincoln, FOSTER RECEIVES EMERGING SCHOLAR AWARD Archived 2013-10-29 at the Wayback Machine, Accessed October 26, 2013, "...Gwendolyn Audrey Foster, assistant professor of English at the University of Nebraska, has won the American Association of University Women Recognition Award for Emerging Scholars. ... The award selection is based on demonstrated excellence in teaching, a documented and active research record, evidence of mentoring female students, and evidence of a potentially significant contribution to the awardee's field of study. ..."
  2. ^ Cite error: The named reference NYT1 was invoked but never defined (see the help page).
  3. ^ Gwendolyn Audrey Foster (2003). "Community, Loss, and Regeneration: An Interview with Wheeler Winston Dixon". Senses of Cinema. No. 27.
  4. ^ a b York College of Pennsylvania, Literature/Film Association Annual Conference, October 2012, Humanities and Social Sciences Online, Conference Archived 2016-04-28 at the Wayback Machine, Accessed October 26, 2013, "...keynote speakers ... Gwendolyn Audrey Foster,..."
  5. ^ Mike Hollins, October 15, 2010, Daily Nebraskan, Film professors prescribe lesser-known horror cinema, Accessed October 26, 2013, "... Dr. Gwendolyn Audrey Foster... Terror of Frankenstein ... mesmerizing and thoughtful.."
  6. ^ Daily Nebraskan, Mike Hollins, December 3, 2010, Film professors share underappreciated holiday classic, Accessed October 26, 2013, "... Gwendolyn Audrey Foster, an English professor at UNL, said she dislikes the idyllic outlook of most holiday films..."
  7. ^ Kendra Marston, 2013, Jump Cut: A Review of Contemporary Media, English ladies to liberators? How Pirates of the Caribbean and Alice in Wonderland mobilize aristocratic white femininity Archived 2013-10-29 at the Wayback Machine, Accessed October 26, 2013, "... Gwendolyn Audrey Foster explores the film performances of classic Hollywood star Mae West...
  8. ^ Gwendolyn Audrey Foster and Wheeler Winston Dixon (September 2003). "Every Frame Was Precious": An Interview with Wheeler Winston Dixon". Film Criticism. 28 (1). Allegheny College: 53–79. JSTOR 44019199. Retrieved October 26, 2013. ...Dixon discusses his work with the Gwendolyn Audrey Foster ...
  9. ^ Daily Nebraskan, January 27, 2011, Mike Hollins, 3-D movies prove successful at box office, despite difficulties in filmmaking, Accessed October 26, 2013, "..."I think the problem is that studios are not run by visionaries anymore.."
  10. ^ Mayne, Judith. Book Review: Gwendolyn Audrey Foster. Women Filmmakers Of The African And Asian Diaspora: Decolonizing The Gaze, Locating Subjectivity and Kenneth W. Harrow, Ed. With Open Eyes: Women And African Cinema. In Research in African Literatures. Spring 1999, Vol. 30, No. 1, pp. 238–240. Accessed October 26, 2013
  11. ^ Judith E. Pike, January 1, 1997, Literature/Film Quarterly, Women-of-Color Filmmakers, Accessed October 26, 2013, "...Foster, Gwendolyn Audrey. Women Filmmakers of the African and Asian Diaspora: Decolonizing the Gaze, Locating Subjectivity. Carbondale and Edwardsville: Southern Illinois University Press, 1997. 177 pp...."
  12. ^ Film Criticism, Allegheny College, Film Criticism, Accessed October 26, 2013, "...with Gwendolyn Audrey Foster, Editor-in-Chief of the Quarterly Review of Film and Video. ..."
  13. ^ "Quarterly Review of Film and Video". Inside Higher Ed. Archived from the original on September 20, 2013. Retrieved October 26, 2013. ...The editors (Wheeler Winston Dixon and Gwendolyn Audrey Foster) of Quarterly Review of Film and Video...
  14. ^ Cite error: The named reference CV was invoked but never defined (see the help page).

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published by Routledge. From 1999 to 2014, Wheeler Winston Dixon and Gwendolyn Audrey Foster were the editors-in-chief of the journal; on December 23, 2014...

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Winston Dixon, David Ehrenstein, Thomas Elsaesser, Valie Export, Gwendolyn Audrey Foster, Dušan Makavejev, Edgar Morin, Joseph Natoli, Murray Pomerance...

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intellectually understood." On this note, Wheeler Winston Dixon and Gwendolyn Audrey Foster hold that "[t]he Marxist implications of [Rocha's] cinema are hard...

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LGBT communities as a norm, and provide information on the topic. Gwendolyn Audrey Foster stated,[when?] "We may still live in a world of white dominance...

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solid character development and acting. According to film scholar Gwendolyn Audrey Foster, Armstrong has a "strong feminist bent" and a "mordant sense of...

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September 5, 2022 Hurd (2007), p. 24 Foster (1995), p. 175 Hallisey (2002), p. 232 Bibliography Foster, Gwendolyn Audrey (1995), "Heckerling, Amy", Women...

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University of New York Press, 1997) Wheeler Winston Dixon and Gwendolyn Audrey Foster (eds.) Experimental Cinema – The Film Reader (London: Routledge...

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List of films banned in the United States

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Rashomon

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December 19, 2018. Retrieved June 11, 2020. Wheeler Winston Dixon, Gwendolyn Audrey Foster: A Short History of Film. Rutgers University Press, 2008, ISBN 9780813544755...

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Elaine May

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approaches a scene like a director and a writer." Film scholar Gwendolyn Audrey Foster notes that May is drawn to material that borders on dry Yiddish...

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I Was Impaled

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Yum. — Kristi Turnquist of The Oregonian, 2012 Feminist critic Gwendolyn Audrey Foster described the show as "almost entirely shorn of narrative and any...

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Mira Nair

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streets of Bombay. Spare rib, ISSN 0306-7971; 198, 1989, pp. 28–29. Gwendolyn Audrey Foster: Women Filmmakers of the African and Asian Diaspora: Decolonizing...

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Tamra Davis

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choice after Wainwright turned the project down. According to Gwendolyn Audrey Foster, the comedy made fun of the seriousness and sexism of rap music...

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Lois Weber

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Reel Women: Pioneers of the Cinema 1896–present. New York, 1991. Foster, Gwendolyn Audrey. Women Film Directors: An International Bio-critical Dictionary...

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and Sound article by Michael Wood Senses of Cinema article by Gwendolyn Audrey Foster The Phantom of Liberty: The Serpentine Movements of Chance an essay...

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According to film historian Gwendolyn Audrey Foster, Ahrne was one of the first women to make documentary films in Sweden, and Foster noted that Ahrne's films...

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Kohlhofer, Harvey Robbins, and Ulli Rimkus. According to film scholar Gwendolyn Audrey Foster, Black Box is a "terrifying allegory of societal restriction of...

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