"Boccaccio" redirects here. For other uses, see Boccaccio (disambiguation).
Giovanni Boccaccio
Portrait by Raffaello Morghen, circa 1822
Born
16 June 1313 Certaldo, Republic of Florence (now in Tuscany, Italy)
Died
21 December 1375 (aged 62) Certaldo, Republic of Florence (now in Tuscany, Italy)
Occupation
Writer, poet
Language
Italian (Tuscan and Florentine dialect)
Latin
Period
Early Renaissance
Genres
Epic poem
lyric poem
sonnet
pastoral
novella
short story
literary criticism
biography
correspondence
Literary movement
Italian Renaissance
Years active
From 1341
Notable works
The Decameron
Parents
Boccaccino di Chellino [it] (father) Margherita de' Mardoli (stepmother)
Relatives
Petrarch (friend)
Giovanni Boccaccio (UK: /bəˈkætʃioʊ/, US: /boʊˈkɑːtʃ(i)oʊ,bə-/, Italian:[dʒoˈvannibokˈkattʃo]; 16 June 1313 – 21 December 1375)[nb 1] was an Italian writer, poet, correspondent of Petrarch, and an important Renaissance humanist. Born in the town of Certaldo, he became so well known as a writer that he was sometimes simply known as "the Certaldese"[nb 2] and one of the most important figures in the European literary panorama of the fourteenth century. Some scholars (including Vittore Branca) define him as the greatest European prose writer of his time, a versatile writer who amalgamated different literary trends and genres, making them converge in original works, thanks to a creative activity exercised under the banner of experimentalism.
His most notable works are The Decameron, a collection of short stories which in the following centuries was a determining element for the Italian literary tradition, especially after Pietro Bembo elevated the Boccaccian style to a model of Italian prose in the sixteenth century, and On Famous Women. He wrote his imaginative literature mostly in Tuscan vernacular, as well as other works in Latin, and is particularly noted for his realistic dialogue which differed from that of his contemporaries, medieval writers who usually followed formulaic models for character and plot. The influence of Boccaccio's works was not limited to the Italian cultural scene but extended to the rest of Europe, exerting influence on authors such as Geoffrey Chaucer,[3] a key figure in English literature, or later on Miguel de Cervantes, Lope de Vega and the Spanish classical theatre.
Boccaccio, together with Dante Alighieri and Petrarch, is part of the so-called "Three Crowns" of Italian literature.[4] He is remembered for being one of the precursors of humanism, of which he helped lay the foundations in the city of Florence, in conjunction with the activity of his friend and teacher Petrarch. He was the one who initiated Dante's criticism and philology: Boccaccio devoted himself to copying codices of the Divine Comedy and was a promoter of Dante's work and figure.
In the twentieth century, Boccaccio was the subject of critical-philological studies by Vittore Branca and Giuseppe Billanovich, and his Decameron was transposed to the big screen by the director and writer Pier Paolo Pasolini.
^Bartlett 1992, pp. 43–44.
^Blanc 1844, p. 166.
^Farrell, Thomas (2003). "Source or Hard Analogue? "Decameron X, 10" and the "Clerk's Tale"". The Chaucer Review. 37 (4): 346–364. doi:10.1353/cr.2003.0011. S2CID 161342485 – via JSTOR.
^Italy's three crowns: reading Dante, Petrarch and Boccaccio. Zygmunt G. Barański, M. L. McLaughlin. Oxford: Bodleian Library. 2007. ISBN 978-1-85124-301-3. OCLC 137313891.{{cite book}}: CS1 maint: others (link)
Cite error: There are <ref group=nb> tags on this page, but the references will not show without a {{reflist|group=nb}} template (see the help page).
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