Global InformationGinislao Paris information
Ginislao Paris | |
|---|---|
 | |
| Born | March 15, 1852 Naples, Kingdom of the Two Sicilies |
| Died | unknown, after 1917 |
| Occupation(s) | Trombonist, Mandolinist |
Ginislao Paris (1852-after 1917) was an Italian composer and musician in the Russian Empire who played trombone with the Russian Imperial Opera Orchestra in St. Petersburg.[1] He also played mandolin, founding the first mandolin orchestra in Russia, The society of amateur Mandolinists and Guitarists in the 1880s.[1] That orchestra was important because it inspired Vassily Andreev, to form the first orchestra based on Russian instruments.[1]
Paris invented a specialized mandolin which was named for him (Sistema Ginislao Paris) and built by the workshops of Luigi Embergher.[1] The Paris Ginislao mandolins feature a double top (a second hollow space within the instrument, created by a false back between the soundboard and the instrument's back).[1] The double top is a feature that mandolin makers are now experimenting with in the 21st century, to get better sound.[2] Mandolinists such as Avi Avital and Joseph Brent use them, and they are custom instruments, today.[3][2]
In 1905, Roman luthier Luigi Embergher made several mandolin family instruments based on Ginislao Paris' own design, featuring double top and special bracing system. Only four instruments of “Sistema Ginislao Paris” forming the mandolin family quartet are known presently. One is an Embergher Artistico mandolin model No. 8, held in the Theatre Museum of St Petersburg.[4][5] Another is a Liuto cantabile (known as the Russian Embergher) of model 5 bis, another mandolin No.5 bis and a mandola model 5 bis, held in private collections.[1]
- ^ a b c d e f Speranski, Victor (November 2014). "The Russian Embergher". Retrieved 29 May 2017.
- ^ a b "Joseph Brent's Brian N. Dean Grand Concert Mandolin". mandolincafe.org. 20 November 2011. Retrieved 29 May 2017.
[He told the luthier:]..."I want to hear the wood, and not the metal." And, "I want it big and dark and loud, like the engine note on a Ford GT." ...I know there are lots of musicians like me who would love the chance to create an instrument that's more geared to the music they're making...It's got a lot of crazy features, like that aforementioned false back...
- ^ Daniel, Bernie; Garber, Jimi. "Re: Avi Avital and the Arik Kerman mandolin". mandolincafe.org. Retrieved 29 May 2017.
...What is [the luthier] Kerman doing so different from the approach taken by American luthiers...The difference from the German models is that it has the sound holes on the edges and, even more important(?) has a double top.
- ^ G.I. Blagodatov, K.A. Vertkov (1972) Catalogue of Musical Instruments of The Leningrad Institute of Theatre, Music and Cinematography, Izdatelstvo Muzyka (105)
- ^ V.V. Koshelev (2014), Plucked Chordophones, Vol. 1. From the Collection of St. Petersburg State Museum of Theatre and Musical Art, ISBN 978-5-91461-024-8