Gbadu is a god in the Dahomey mythology of the Fon people, who are now based in Benin, Nigeria, and Togo.[1][2] She is one of Mawu-Lisa’s daughters, and just like her parents, consists of both a female and male aspect though she is mostly referred to with female pronouns.[3] Gbadu is described as the female counterpart to Fa.[4][5]
According to certain accounts, Gbadu is considered the goddess of fate in Dahomey mythology.[1][2] Her myths are heavily associated with the Ifa or Fa divination, and according to Dahomean folklore, her offspring were responsible for teaching and spreading the practice among humans.[3][6]
^ abLynch, Patricia Ann; Roberts, Jeremy (2010). African Mythology, A to Z. Infobase Publishing. ISBN 978-1-4381-3133-7.
^ ab"Encyclopedia of African Religion". SAGE Publications Inc. 2021-03-21. Retrieved 2021-03-22.
^ abHerskovits, Melville Jean; Herskovits, Frances Shapiro (1998). Dahomean Narrative: A Cross-cultural Analysis. Northwestern University Press. ISBN 978-0-8101-1650-4.
^Belcher, Stephen (2005-12-01). African Myths of Origin. Penguin UK. ISBN 978-0-14-193531-7.
^Cosentino, Donald (1987). "Who Is That Fellow in the Many-Colored Cap? Transformations of Eshu in Old and New World Mythologies". The Journal of American Folklore. 100 (397): 261–275. doi:10.2307/540323. ISSN 0021-8715. JSTOR 540323.
^Sørensen, Jørgen Podemann (1999-01-01). "On divination: an exercise in comparative method". Scripta Instituti Donneriani Aboensis. 17 (1): 181–188. doi:10.30674/scripta.67252. ISSN 2343-4937.
Gbadu is a god in the Dahomey mythology of the Fon people, who are now based in Benin, Nigeria, and Togo. She is one of Mawu-Lisa’s daughters, and just...
animals out of clay, he boasted to the other animals and challenged Mawu. Gbadu one of the first Loa Mawu birthed from her love making with Lisa, saw all...
45.1E 2,801.0 1985 Fortuna, a Roman goddess of chance. Gbadu Tessera 1.0S 38.0E 700.0 1997 Gbadu, a Fon goddess of guessing. Gegute Tessera 17.0N 121.0E...
Clayton received a Creative Capital award for the development of his project Gbadu and the Moirai Index, which Clayton described as "a performance piece for...