Gated reverb or gated ambience is an audio processing technique that combines strong reverb and a noise gate that cuts the tail of the reverb. The effect is typically applied to recordings of drums (or live sound reinforcement of drums in a PA system) to make the hits sound powerful and "punchy" while keeping the overall mix clean and transparent sounding.[1]
As one of the more prominent effects in many British pop and rock songs of the 1980s, it was brought to mainstream attention in 1979 by producer Steve Lillywhite and engineer Hugh Padgham while working on Peter Gabriel's self-titled third solo album, after Phil Collins played drums without using cymbals at London's Townhouse Studios. The effect is most quintessentially demonstrated in Collins' hit song "In the Air Tonight".
Unlike many reverberation or delay effects, the gated reverb effect does not try to emulate any kind of reverb that occurs in nature. In addition to drums, the effect has occasionally been applied to vocals.[1][2]
^ abFink, Robert; Latour, Melinda; Wallmark, Zachary (2018-09-18). The Relentless Pursuit of Tone: Timbre in Popular Music. Oxford University Press. ISBN 978-0-19-998525-8.
^Bordowitz, Hank (2007). Dirty Little Secrets of the Record Business: Why So Much Music You Hear Sucks. Chicago Review Press. p. 253. ISBN 978-1-56976-391-9.
Gatedreverb or gated ambience is an audio processing technique that combines strong reverb and a noise gate that cuts the tail of the reverb. The effect...
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singers of the '80s and beyond". He also became known for a distinctive gatedreverb drum sound on many of his recordings. He played drums on the 1984 charity...
He pioneered (with Peter Gabriel and producer Steve Lillywhite) the "gatedreverb" drum sound used most famously in Collins' song "In the Air Tonight"...
the microphone. A good example of time-controlled noise gating is the well-known "gatedreverb" effect heard on the drums on the Phil Collins hit single...
the album, he pioneered (with Gabriel and engineer Hugh Padgham) the gatedreverb drum sound which became a hallmark of Phil Collins' solo career. Later...
contains 1980s clichéd elements in the sound such as electronic drums, gatedreverb, and analog synthesizer bass lines and leads—all to resemble tracks from...
and gated ambient mics. Padgham continued working with Genesis for Abacab later in 1981 and the same technique (generally referred to as gatedreverb) was...
employed gating and extreme compression, so when Padgham activated the "Listen Mic" while Collins was talking and playing, it resulted in the gatedreverb drum...
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engineer Hugh Padgham, who were beginning to develop their signature gatedreverb production technique, as demonstrated on the album opener and lead single...
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as his breakthrough. The album has been credited as the first to use gatedreverb on the drums, creating a distinct sound. While recording drums on "Intruder"...
of 1968. Models included the Twin Reverb, Deluxe Reverb, Quad Reverb, and Princeton Reverb, and a Vibrolux Reverb was added to the line the following...
which featured Collins on drums. Gabriel's track "Intruder" features a gatedreverb effect on Collins's drums that Banks and Rutherford liked, and wanted...