The Galli–Bibiena family, or Galli da Bibiena (also spelled "Bibbiena"), was a family of Italian artists of the 17th and 18th centuries, including:[1][2][3][4][5]
father, Giovanni Maria Galli da Bibiena (1625–1665)
daughter Maria Oriana Galli Bibiena (1656–1749), Italian painter
son Ferdinando Galli Bibiena (1656–1743), Italian architect/designer
son Francesco Galli Bibiena (1659–1739), Italian architect
grandson, Giuseppe Galli Bibiena (1696–1757), Italian designer
grandson, Antonio Galli Bibiena (1697–1774), Italian architect
grandson, Giovanni Carlo Galli-Bibiena (1717–1760), architect/designer[5]
greatgrandson, Carlo Galli Bibiena (1728–1787), designer, son of Giuseppe Galli Bibiena
The Galli–Bibiena family derives its name from the surname and birthplace of papa Giovanni Maria Galli (1625 - 21 June 1665),[5] who was born at Bibbiena (Italy) outside Florence.[2] Giovanni was a student of painting and assistant under Francesco Albani, being, evidently, adept at the depiction of water scenes.[5] He produced faithful copies of his master’s paintings. His surviving independent works include an Ascension (1651; Bologna, Certosa) and in the church of Buon Gesù, Bologna, a frescoed St Bernardino and two sibyls.[5] Giovanni Maria Galli–Bibiena died on 21 June 1665 in Bologna,[5] but he had laid the foundations of an artistry which was continued by his descendants, who dedicated themselves to architectural work and set design for the theatre.[2]
Using the highly ornate style of late baroque sculpture and architecture, the members of the Galli–Bibiena family produced a series of theatrical and other designs that are exceptional for their intricate splendour and spacious proportions achieved by detailed perspective.[2]
From about 1690 to 1787, eight Bibienas designed and painted for many of the courts of Europe with intricate settings for operas, weddings, and funerals. The Habsburgs were their most generous patrons.[2]
The works of the Galli–Bibiena family in theatrical scenery were not executed in durable material. Also, because their decorative works for court functions were necessarily temporary, few of their creations have survived; however, the richness and splendour of their works can be judged from drawings made at the time, which have been preserved in great numbers and are found mainly in collections at Vienna, Munich, Dresden and Montreal.[2][3]
^ abcdef
"Bibiena, Galli da, Family" (history),
Encyclopædia Britannica Online, 18-November-2006, Britannica.com webpage:
EB-Bibienas.
^ ab
Galli de Bibiena collection at the Canadian Centre for Architecture, webpage:
"Baroque Scenography: The Galli Bibiena Family".
^"Galli–Bibiena, Ferdinando" (history),
Encyclopedia of Austria, 2006, Aeiou-Austria webpage:
aeiou-FerdinandoGBibiena Archived 2012-12-30 at archive.today:
has dates, Farnese dynasty, travel to Barcelona for Karl VI.
^ abcdef
"Artists' Biographies: Galli–Bibiena [Galli da Bibiena],"
artnet - The art world online, NY, 2006, webpage:
an-GBibiena
("artnet" is a trademark of artnet Worldwide Corporation).
and 24 Related for: Galli da Bibiena family information
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Giovanni Maria Galli (1625–1665), called Giovanni Maria daBibiena, was an Italian painter, born at Bibiena in 1625. He studied under Albani, and his productions...
create movable sets, or create illusions of environments. The GallidaBibienafamily was a pedigree of scenographic artistry that emerged in late-seventeenth-century...
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of Fishes and The Expulsion from the Temple, 1645), Giovanni Maria GallidaBibiena (The Ascension, 1651), Lorenzo Pasinelli (Entry into Jerusalem, 1657)...
at an angle.' The exact origin of this style is unclear. Ferdinando GalliBibiena claims to have invented it in his treatise Architettura Civile (1711)...
was built on the site by Azzo da Correggio as a defence along the Po River. It belonged to the Correggio and Terzi families, and in the 16th-17th centuries...
1723. The set was designed by the court theatre architect Giuseppe Galli-Bibiena (1696–1756). This work is regarded as a festive coronation opera because...
(Translation: This work was undertaken under the oversight of Alessandro GallidaBibiena and Heinrich Neeb.) The inscription was a chronogram for the date 1741...
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Christian Knaut, German physician (d. 1716) August 18 – Ferdinando Galli-Bibiena, Italian painter (d. 1743) September 6 – Guillaume Dubois, French cardinal...
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Antonio GalliBibiena, had briefly worked on, but is decorated instead by painting in the trompe-l'œil technique for which the Bibienafamily is known...