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Fuyuhiko Kitagawa information


Fuyuhiko Kitagawa
北川 冬彦
Fuyuhiko Kitagawa in 1941
Born(1900-07-03)July 3, 1900
Shiga
DiedApril 12, 1990(1990-04-12) (aged 89)
Resting placeTama Cemetery[1]
NationalityJapanese
Occupation(s)Poet, film critic

Fuyuhiko Kitagawa (北川 冬彦, Kitagawa Fuyuhiko) (3 July 1900 – 12 April 1990) was a Japanese poet and film critic. His real name was Tadahiko Taguro (田畔 忠彦, Taguro Tadahiko). While born in Shiga Prefecture, he was raised in Manchukuo in China due to his father's work on the South Manchurian Railway,[2] and then graduated from Tokyo University.[3] He began publishing his own poetry in Manchukuo in 1924 and his work was influenced by that colonial context.[2] His work was praised by Riichi Yokomitsu,[4] and he became a prominent figure in modernist poetry in Japan, pursuing especially prose poetry. Kitagawa was also a well-known film critic, one who especially praised the work of Mansaku Itami (the father of Juzo Itami), calling it a new, realistic "prose cinema" (sanbun eiga) in opposition to the old "poetic cinema" (inbun eiga) of Sadao Yamanaka, Daisuke Itō, and others. He was a champion of neorealism in the postwar era.[3]

He was a standard-bearer of the Scenario-Literature-Movement. He, Shuzo Takiguchi, Akira Asano and other members formed a group called 'Ten Scenario-Researchers'. They advocated the movement from a standpoint considering a scenario a literary genre.[5]

  1. ^ Omura, Daiju. "北川冬彦". 歴史が眠る多磨霊園 (Tama Cemetery, where history rests) (in Japanese). Retrieved 2024-05-06.
  2. ^ a b Gardner, William O. (1999). "Colonialism and the Avant-Garde: Kitagawa Fuyuhiko's Manchurian Railway". Stanford Humanities Review. 7 (1). Archived from the original on 2012-10-22. Retrieved 2010-03-21.
  3. ^ a b "Kitagawa Fuyuhiko". Nihon jinmei daijiten. Kodansha. Retrieved 21 March 2010.
  4. ^ "Kitagawa Fuyuhiko". Rekishi ga nemuru Tama Reien. Retrieved 21 March 2010.
  5. ^ The page57 of Kitagawa's book 'Charms Of Scenarios(Shinario No Miryoku シナリオの魅力)' published by Shakai-Shiso-Kenkyukai-Shuppambu(1953),in an essay titled 'Future of Scenario-Literature-Movement(シナリオ文学運動の将来性)'

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