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According to scholar Virginia Mackenny, performance art is a great tool to mold and remold gender because performance art, in most instances, includes a direct subversion to everyday conventions. MacKenny also writes that feminist performance Art had a large presence "in the late '60s and early '70s in America when, in the climate of protest constituted by the civil rights movement and second wave feminism." There are several movements that fall under the category of feminist performance art, including Feminist Postmodernism, which took place during 1960-1970 and focused on the exploitation of women's bodies as a means for profit. Similarly, the Chicanx movement emerged in East Los Angeles during the 1970s, and focused on the Vietnam war, which was considered a post-apartheid movement.[1]
^MacKenny, Virginia (2001). "Post - Apartheid Performance Art as a Site of Gender Resistance". Agenda: Empowering Women for Gender Equity. 49: 15–24. ISSN 1013-0950.
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subversion to everyday conventions. MacKenny also writes that feministperformanceArt had a large presence "in the late '60s and early '70s in America...
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objectification), oppression, patriarchy, stereotyping, art history and contemporary art, and aesthetics. Feminist theories first emerged as early as 1794 in publications...
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