Evelyn De Morgan (30 August 1855 – 2 May 1919) was an English painter associated early in her career with the later phase of the Pre-Raphaelite Movement, and working in a range of styles including Aestheticism and Symbolism.[1] Her paintings are figural, foregrounding the female body through the use of spiritual, mythological, and allegorical themes. They rely on a range of metaphors (such as light and darkness, transformation, and bondage) to express what several scholars have identified as spiritualist and feminist content.[2][3][4][5] Her later works also dealt with the themes of war from a pacifist perspective, engaging with conflicts such as the Second Boer War and World War I.[2]
^"Evelyn De Morgan". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/45491. (Subscription or UK public library membership required.)
^ abLawton Smith, Elise (2002). Evelyn Pickering De Morgan and the Allegorical Body. Fairleigh Dickinson University Press. ISBN 978-0-8386-3883-5.
^Gordon, Catherine (1996). Evelyn de Morgan: Oil Paintings. De Morgan Foundation. p. 14. ISBN 978-0-9528141-0-8.
^Rose, Lucy Ella (2017). Suffragist Artists in Partnership: Gender, Word and Image. Edinburgh University Press. ISBN 978-1-4744214-5-4.
^Merkling, Emma (10 July 2023). "Physics, Psychical Research, and the Self: Evelyn De Morgan's Spiritualist Portraits". Art History. doi:10.1111/1467-8365.12726. ISSN 0141-6790.
EvelynDeMorgan (30 August 1855 – 2 May 1919) was an English painter associated early in her career with the later phase of the Pre-Raphaelite Movement...
repeated cash injections from his wife, the pre-Raphaelite painter EvelynDeMorgan (née Pickering), and a partnership with the architect Halsey Ricardo...
Mathematical Society. William DeMorgan (1839–1917), English designer, potter, ceramics-worker, and novelist. EvelynDeMorgan (1855–1919), English pre-Raphaelite...
Pre-Raphaelite works of art, including works by Dante Gabriel Rossetti, EvelynDeMorgan, Edward Burne-Jones, Ford Madox Brown, John Everett Millais, Elizabeth...
By EvelynDeMorgan: The Love Potion 1903 Chalk study of Jane Morris for The Hourglass, 1904. DeMorgan Foundation The Hourglass 1905 DeMorgan Foundation...
Cannon Hall Museum and the DeMorgan Foundation, a registered charity preserving the work of William DeMorgan and EvelynDeMorgan, entered into a collaboration...
The Love Potion is a 1903 painting by the English artist EvelynDeMorgan depicting a witch with a black cat familiar at her feet. According to Elise Lawton...
died in Florence, Italy. He was the uncle and teacher of the painter EvelynDeMorgan and encouraged then unknown local artist Abel Hold to exhibit at the...
conjured by Egyptian magicians. The English Pre-Raphaelite painter EvelynDeMorgan portrayed a sexually assertive Helen in her 1898 painting Helen of...
because of their different views. Smith, Elise Lawton. 2002. Evelyn Pickering DeMorgan and the Allegorical Body. Fairleigh Dickinson University Press...
Edinburgh. de la Puente, Lius (1852). "On Pride and Vainglory" . Meditations On The Mysteries Of Our Holy Faith. Richarson and Son. Schumacher, Meinolf [de] (2005):...
(KJV) Early mentions of Mammon allude to the Gospels, e.g., Didascalia, "De solo Mammona cogitant, quorum Deus est sacculus" (lit. They think only of...
Night and Sleep is an 1878 painting by EvelynDeMorgan, an English painter whose works were influenced by the style of the Pre-Raphaelite movement. In...
Gilded Cage" (The Avengers), a television episode The Gilded Cage (EvelynDeMorgan painting) The Gilded Cage (Saint George Hare painting), 1908 A Bird...
Philippine Sociological Society. Plasencia, J. (1589). Relacion de las Costumbres de Los Tagalos. Cahill, Suzanne E. (18 July 2013). "Sublimation in Medieval...
Catalogue of Women from Homeric Hymns, Epic Cycle, Homerica translated by Evelyn-White, H G. Loeb Classical Library Volume 57. London: William Heinemann...
Parliamentarian forces and credited with supernatural powers. As noted by Morgan, the dog was apparently considered a kind of familiar. At the end of the...
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