Global InformationElmore James discography information
| Elmore James discography | |
|---|---|
| Compilation albums | 9+[a] |
| Singles | 41 |
| Singles as accompanist | 5 |
Elmore James was an American blues slide guitarist and singer who recorded from 1951 until 1963. His most famous song, "Dust My Broom", an electrified adaptation of a Robert Johnson tune, was his first hit and features one of the most identifiable slide guitar figures in blues.[2] James' composition "The Sky Is Crying" (which became a blues standard) and his rendition of Tampa Red's "It Hurts Me Too" were among his most successful singles on the record charts.[3] Other popular James songs, such as "I Can't Hold Out", ""Madison Blues", "Shake Your Moneymaker", "Bleeding Heart", and "One Way Out", have been recorded by several other artists, including Fleetwood Mac, Jimi Hendrix, and the Allman Brothers Band.[4][5]
As with most blues artists in the 1950s and early 1960s, James' recordings were originally issued on two-song record singles.[6][7] "Dust My Broom" was first issued by the small Trumpet Records label in 1951.[2] Shortly thereafter, James began recording for several larger companies.[8] From 1952 to 1956, he recorded for the Bihari brothers, who issued singles on their Meteor, Flair, and Modern labels.[9] In 1957, he recorded for Mel London's Chief Records,[10] and from 1959 to 1963, for Bobby Robinson's Fire Records.[7] In 1953 and again in 1960, James also recorded some songs that appeared on Checker/Chess Records.[11] He also played guitar on several recordings by other artists, including J. T. Brown, Big Joe Turner, Little Johnny Jones, and Junior Wells.[12][13][14]
In 1960, the Biharis released the compilation, Blues After Hours, on their budget Crown label, which was the only album released during James' career.[15] After his death in 1963, his former record companies began re-issuing a number of his singles on subsidiaries and leasing them out to other companies.[16] These various labels also began releasing numerous compilation albums, often with significant overlap in song selection.[1] With the advent of compact discs, this trend continued.[1] However, some box sets have appeared that collect most or all of James' recordings for a particular label or time period.[17] The Chess,[18] Capricorn,[19] and Virgin America/Flair[20] collections also include some previously unreleased material and alternate takes.
- ^ a b c Cite error: The named reference
AllMusic Compilationswas invoked but never defined (see the help page). - ^ a b Koda 1996, p. 132.
- ^ Whitburn 1988, p. 216.
- ^ Unterberger 1996, p. 86.
- ^ Haig & Morris 1992, p. 1.
- ^ Topping 1993, p. 33.
- ^ a b Haig & Morris 1992, pp. 12–13.
- ^ Koda 1996, pp. 132–133.
- ^ Topping 1993, pp. 12–15.
- ^ Topping 1993, p. 17.
- ^ Snowden & Welding 1991, pp. 1, 5–6.
- ^ Topping 1993, p. 30.
- ^ Shurman 1986, pp. 2–3.
- ^ Koester 1998, p. 2.
- ^ Cite error: The named reference
Leggettwas invoked but never defined (see the help page). - ^ Topping 1993, pp. 16–17.
- ^ Koda 1996, p. 133.
- ^ Koda, Cub. "Elmore James/John Brim: Whose Muddy Shoes". AllMusic. Archived from the original on August 8, 2016. Retrieved April 30, 2016.
- ^ Koda, Cub. "Elmore James: King of the Slide Guitar: The Fire/Fury/Enjoy Recordings". AllMusic. Archived from the original on July 31, 2016. Retrieved April 30, 2016.
- ^ Unterberger, Richie. "Elmore James: The Classic Early Recordings: 51–56 [Box]". AllMusic. Archived from the original on August 3, 2016. Retrieved April 30, 2016.
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