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Don Baum information


Don Baum
Detail of Don Baum from historical photograph of seven people at Chicago Imagist "Made in Chicago" art exhibit opening in São Paulo, Brazil, 1973.
(Detail) Don Baum at Chicago Imagist "Made in Chicago" exhibition opening, São Paulo, 1973. Smithsonian Institution Archives.
Born1922 (1922)
Escanaba, Michigan, U.S.
DiedOctober 28, 2008(2008-10-28) (aged 85–86)
Evanston, Illinois, U.S.
NationalityAmerican
EducationUniversity of Chicago, School of the Art Institute of Chicago
Known forCurating, Assemblage art
StyleImagist

Don Baum (1922 – October 28, 2008) was an American curator, artist and educator, most known as a key impresario and promoter of the Chicago Imagists, a group of artists that had an enduring impact on American art in the later twentieth century.[1][2] Described by the Museum of Contemporary Art, Chicago (MCA) as "an indispensable curator of the Chicago school," Baum was known for lively and irreverent exhibitions that offered fresh perspectives combining elements of Surrealism and Pop and that broke down barriers between schooled and untrained, or so-called outsider artists.[1][2] From 1956 to 1972, Baum was exhibitions director at Chicago's Hyde Park Art Center. It was there, in the 1960s, that he became involved with a group of young artists he exhibited as "Hairy Who" that later expanded to become the Chicago Imagists. That group included Ed Paschke, Jim Nutt, Roger Brown, Gladys Nilsson, and Karl Wirsum. Baum mounted two major shows at the MCA that featured the emerging artists in their first museum exhibitions: "Don Baum Sez: 'Chicago Needs Famous Artists'" (1969) and "Made in Chicago" (1973), which shaped a vision of Chicago's art world as a place of meticulous craftsmanship and vernacular inspiration.[3]

Baum's curatorial and artistic work was widely covered in publications including: Artforum,[4][5] Art in America,[6] ARTnews,[7] Art Magazine,[8] Time,[9] Newsweek,[10] New Art Examiner,[11] Chicago Tribune,[12][13] Chicago Sun-Times,[14] Chicago Daily News,[15] and the New York Times.[16] His own art work is part of major public collections, including National Museum of American Art, The Art Institute of Chicago, and the Museum of Contemporary Art, Chicago, among many. In addition to his curatorial work and artistic production, Baum was a longtime educator at several Chicago institutions, notably Roosevelt University (1948–1984).[17]

  1. ^ a b Friedman, Anna. "Don Baum," in Art in Chicago 1945-1995, Museum of Contemporary Art, ed. Lynne Warren, New York: Thames and Hudson, 1996, p. 244. Retrieved February 22, 2018.
  2. ^ a b Jensen, Trevor with Alan G. Artner. "Don Baum: 1922 – 2008," Chicago Tribune, October 31, 2008. Retrieved April 20, 2018.
  3. ^ Museum of Contemporary Art, Chicago. Don-Baum-In-Memoriam, Exhibitions, Chicago. Retrieved April 21, 2018.
  4. ^ Kirschner, Judith Russi. "Don Baum, Betsy Rosenfield Gallery," Artforum, 23, January 1985: 94.
  5. ^ Kozloff, Max. "Inwardness: Chicago Art since 1945," Artforum, 11, October 1972): 51-52.
  6. ^ Upshaw, Reagan. "Don Baum at Betsy Rosenfield," Art in America, 69, February 1981: 154-55.
  7. ^ Kind, Joshua. "Chicago." ARTNews, 64 (April 1965): 52.
  8. ^ Gedo, Mary M. "Don Baum," Art Magazine, 56 (January 1982):9.
  9. ^ Hughes, Robert. "Midwestern Eccentrics." Time, June 12, 1972, pp. 56-59.
  10. ^ Davis, Douglas. "Monsters of Chicago." Newsweek, June 12, 1972, p. 109.
  11. ^ Forwalter, John. "Dolls! Dolls! Dolls!" New Art Examiner, 4 (January 1977): 19.
  12. ^ Allen, Jane and Derek Guthrie. "Camp Chicago Art: 'It Hurts When I Laugh,'" Chicago Tribune, June 4, 1972.
  13. ^ Artner, Alan G. "Baum Show Gives New Hyde Park Center Fine Start." Chicago Tribune, November 1, 1981.
  14. ^ Granger, William. "The Chicago School," Chicago Sun-Times, May 14, 1972.
  15. ^ Haas, Joseph. "Man Behind the Big Show," Chicago Daily News, March 22, 1969.
  16. ^ Shay, Steve. "Artistic Vision of Home Sweet Home," New York Times, February 14, 1991.
  17. ^ Don Baum page, Carl Hammer Gallery. Retrieved April 20, 2018.

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