Die Schuldigkeit des ersten Gebots (complete title in historical spelling: Die Schuldigkeit Des ersten und fürnehmsten Gebotes; The Obligation of the First and Foremost Commandment), K. 35, is a sacred musical play (geistliches Singspiel) composed by Wolfgang Amadeus Mozart in 1767 when he was 11 years old. It is Mozart's first opera or, more specifically, sacred drama, as is suggested by the name. The libretto is now attributed to Ignatz Anton von Weiser [de], although Johann Adam Wieland or Jakob Anton Marianus Wimmer had been suggested earlier. (The title page of the libretto ascribes it only to "J.A.W.".)[1] Only the first part of the opera was composed by Mozart; the second and third parts were contributed by Michael Haydn and Anton Cajetan Adlgasser respectively. However, these other two parts have not survived.[2] Part 1 of the opera was first performed on March 12, 1767, in the Knight's Hall of the Palace of the Archbishop, the Salzburg Residenz. Part 2 was performed on March 19, and part 3 on March 26.[1]
^ abOperaGlass summary at stanford.edu, accessed on October 6, 2007
^WienMozart2006 page on Die Schuldigkeit des ersten Gebots Archived 2007-12-23 at the Wayback Machine, accessed on October 6, 2007
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DieSchuldigkeitdeserstenGebots (complete title in historical spelling: DieSchuldigkeitDesersten und fürnehmsten Gebotes; The Obligation of the First...
eliminating as much of Süssmayr as possible. Mozart's operas, if DieSchuldigkeitdeserstenGebots, Zaide, L'oca del Cairo, Lo sposo deluso and Der Stein der...
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expressiveness. Mozart tenor roles in operas: Spirit of Christianity, DieSchuldigkeitdeserstenGebots Oebalus, Apollo et Hyacinthus Bastien, Bastien und Bastienne...
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Wolfgang Amadeus Mozart composes the first act of an oratorio, DieSchuldigkeitdeserstenGebots, to be completed by Michael Haydn and Anton Cajetan Adlgasser...
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in Turkey, which was the scene of his next, completed rescue Singspiel (Die Entführung aus dem Serail). He soon abandoned Zaide, to work on Idomeneo...
performed at the Lock Hospital Wolfgang Amadeus Mozart – DieSchuldigkeitdeserstenGebots (1767, only the first part) Francesco Maria Veracini – L'Assalone...
1787) and Die Zauberflöte (K620, 1791). Mozart's first use of the trombone was an obligato line in the oratorio DieSchuldigkeitdeserstenGebots (K35, 1767)...
Barmherzigkeit ([Divine] Mercy) in Mozart's first musical play, DieSchuldigkeitdeserstenGebots ("The Obligation of the First Commandment"), 1767, and later...
(Susanna/Barbarina); Don Giovanni (Zerlina); Così fan tutte (Despina); DieSchuldigkeitdeserstenGebots (Worldly Spirit) Vivaldi: L'Incoronazione di Dario (Alinda)...
Barmherzigkeit (Divine Mercy) in Mozart's first musical play, DieSchuldigkeitdeserstenGebots to which her husband had contributed the second part (now...
music (even introducing the "Fall of Troy" motif from his own 1928 opera Die ägyptische Helena), and rearranged much of the music left behind. For example...
native Salzburg, he performed in 1767 the sacred singspiel DieSchuldigkeitdeserstenGebots (The Obligation of the First Commandment), at the age of only...
v t e Operas by Wolfgang Amadeus Mozart Operas DieSchuldigkeitdeserstenGebots (1767) Apollo et Hyacinthus (1767) Bastien und Bastienne (1768) La finta...
(1743–1782) was a Salzburg court singer, who sang in Mozart's DieSchuldigkeitdeserstenGebots and created the role of Ninetta in La finta semplice and the...
(K VI:11), MH 138 (1770) Der Tod Abels (Part III), MH 271 DieSchuldigkeitdeserstenGebots (lost), MH 85 Kaiser Constanstin I. Feldzug und Sieg, MH 117...