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The culture of Qatar is strongly influenced by traditional Bedouin culture, with less acute influence deriving from India, East Africa, and elsewhere in the Persian Gulf. The peninsula's harsh climate has historically shaped the lifestyle of its inhabitants, driving a reliance on the sea for sustenance and fostering a distinct emphasis on maritime activities within local culture.[1] Arts and literature themes are often related to sea-based activities. Qatari folklore and music best enshrine the state's marine tradition, with pearling trips serving as the main inspiration for music and traditional Qatari myths like Mai and Ghilân being centered around the sea.[2]

Although visual arts were historically unpopular due to Islam's stance on depictions of sentient beings, the mid-20th century heralded a transformative era in Qatari arts, catalyzed by newfound prosperity from oil exports.[3] This period witnessed the emergence of the modern Qatari art movement, with figures like Jassim Zaini and Yousef Ahmad playing pivotal roles in this transition to a vibrant contemporary art scene supported by government and institutions like the Qatari Fine Arts Society, the National Council for Culture, Arts, and Heritage, and in contemporary times, Qatar Museums.[4] Parallel to Qatar's artistic renaissance, its literary tradition underwent a renaissance of its own. Originating in the 19th century, Qatari literature evolved in response to Qatar's social and economic development. While Nabati poetry initially held sway,[5] the post-1950 era saw a proliferation of literary genres like short stories and novels, reflecting increasing educational opportunities. Notably, the mass participation of Qatari women in the modern literature movement broke social norms, as women were historically less active in traditional forms of art.[6]

Beyond arts and literature, Qatari society is characterized by rich traditions and customs deeply rooted in its history as an Arab-Islamic country. Nomadic pastoralism, principally of camels, and pearl fishing were once cornerstone livelihoods, embodying a way of life shaped by both the harsh desert environment and the sea's bounties. The Bedouin and Hadar (settled) communities each contributed unique customs and social structures, fostering resilience and communal cohesion. Central to Qatari social life is the majlis, a communal gathering space where traditions, storytelling, and social interactions converge. Family values, community ties, and hospitality are among the most essential values in local society.[7] Cultural policies and affairs are regulated by the Ministry of Culture. The current minister is Abdulrahman bin Hamad bin Jassim bin Hamad Al Thani.[8]

  1. ^ Abu Saud, Abeer (1984). Qatari Women: Past and Present. Longman Group United Kingdom. p. 133. ISBN 978-0582783720.
  2. ^ Cite error: The named reference mayghilan was invoked but never defined (see the help page).
  3. ^ Abu Saud (1984), p. 134
  4. ^ "رحلة الفن التشكيلي بدولة قطر أ.د. ليلي حسن علام". Aljasra Culture Magazine. 16 June 2010. Retrieved 30 July 2015.
  5. ^ Hassan Tawfiq (1 May 2015). "الشعر في قطر علي امتداد مائة سنة" (in Arabic). Al Jasra Cultural and Social Club. Retrieved 26 August 2018.
  6. ^ Rebecca L. Torstrick; Elizabeth Faier (2009). Culture and Customs of the Arab Gulf States. Greenwood. p. 49. ISBN 978-0313336591.
  7. ^ Cite error: The named reference visitqatartraditions was invoked but never defined (see the help page).
  8. ^ "Minister of Culture opens 'Saber' exhibition at Qatar Photography Center". thepeninsulaqatar.com. 2023-02-07. Retrieved 2023-02-09.

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