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Cesira Ferrani information


Cesira Ferrani as Manon Lescaut

Cesira Ferrani (May 8, 1863 in Turin – May 4, 1943 in Pollone) was an Italian operatic soprano who is best known for debuting two of the most iconic roles in opera history, Mimì in the original 1896 production of Giacomo Puccini's La bohème and the title role in Puccini's Manon Lescaut in its 1893 world premiere.[1] Ferrani sang a wide repertoire that encompassed not only verismo opera but the works of composers like Verdi, Gounod, Wagner, and Debussy.

  1. ^ Karl-Josef Kutsch; Leo Riemens (1969). A Concise Biographical Dictionary of Singers: from the beginning of recorded sound to the present. Translated from German, expanded and annotated by Harry Earl Jones. Philadelphia: Chilton Book Company. p. 487. ISBN 0-8019-5516-5.

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Cesira Ferrani

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Cesira Ferrani (May 8, 1863 in Turin – May 4, 1943 in Pollone) was an Italian operatic soprano who is best known for debuting two of the most iconic roles...

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Giacomo Puccini

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including with well-known singers such as Maria Jeritza, Emmy Destinn, Cesira Ferrani, and Hariclea Darclée. In 1906, while attending the opening of Madama...

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1943

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Frank Maxwell Andrews, American general (plane crash) (b. 1884) May 4 Cesira Ferrani, Italian soprano (b. 1863) Saverio Marotta, Italian naval officer (killed...

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Giacomo Orefice

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Consuelo (1895, after George Sand's novel; the title role was created by Cesira Ferrani, who the following year created Mimí in Puccini's La bohème) Il gladiatore...

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The Record of Singing

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After Cavalleria: Gemma Bellincioni, Angelica Pandolfini, Emma Carelli, Cesira Ferrani, Lina Cavalieri, Rosina Storchio, Salomea Krusceniski, Teresa Arkel...

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Giuseppe Cremonini

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of many that he would sing opposite Cesira Ferrani, who originated the role of Manon. In 1894 Cremonini and Ferrani reprised their roles at Manon Lescaut's...

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La cena delle beffe

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Francesco Dominici Laldomine mezzo-soprano Cesira Ferrani Fiammetta soprano Lina Lanza Lisabetta soprano Cesarina (Cesira) Valobra Singer tenor Alfredo Tedeschi...

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