Pre-existing melody forming the basis of a polyphonic composition
In music, a cantus firmus ("fixed melody") is a pre-existing melody forming the basis of a polyphonic composition.
The plural of this Latin term is cantus firmi, although the corrupt form canti firmi (resulting from the grammatically incorrect treatment of cantus as a second- rather than a fourth-declension noun) can also be found. The Italian is often used instead: canto fermo (and the plural in Italian is canti fermi).
^Ultan, Lloyd (1977). Music Theory: Problems and Practices in the Middle Ages and Renaissance, p.151. ISBN 978-0-8166-0802-7.
a cantusfirmus ("fixed melody") is a pre-existing melody forming the basis of a polyphonic composition. The plural of this Latin term is cantus firmi...
accompaniment filling the long intervals between the successive lines of the cantusfirmus, a feature of their large scale which has not pleased all commentators...
complexity, with a very simple part that remains constant known as the cantusfirmus (Latin for "fixed melody"). Species counterpoint generally offers less...
contains one or more voices derived from another via strict imitation; Cantusfirmus masses, in which a pre-existing tune appears in one voice of the texture...
Sanctus, and Agnus Dei – shared a common musical theme, commonly a cantusfirmus, thus making it a unified whole.[citation needed] The cyclic mass was...
basis. The models Pachelbel used most frequently are the three-part cantusfirmus setting, the chorale fugue and, most importantly, a model he invented...
Lamb of God, innocent) as the cantusfirmus. All sentences of the first stanza of Decius' hymn are used as cantusfirmus throughout the movement by the...
festival. Reize founded the group CantusFirmus Vokalensemble und Consort in 2001, and the chamber choir CantusFirmus Kammerchor in 2006. He became musical...
most prominent types of mass composition during the Renaissance, the cantusfirmus and the paraphrase mass. In the sense considered here, the term parody...
d'Este I, Duke of Ferrara. The musical source material for the mass, the cantusfirmus, is derived from the musical letters in the Duke's name, a technique...
father, and in so doing learned counterpoint and how to improvise over a cantusfirmus. He is likely to have known Antoine Busnois at the Burgundian court...
vernacular languages, were sung simultaneously over a (usually Latin-texted) cantusfirmus usually adapted from a melismatic passage of Gregorian chant on a single...
Wynde is an early 16th-century song whose tune was used as the basis (cantusfirmus) of Masses by English composers John Taverner, Christopher Tye and John...
Ordinary of the Mass that uses as its basis an elaborated version of a cantusfirmus, typically chosen from plainsong or some other sacred source. It was...
overall structural plan of the piece, are both based on a Gregorian cantusfirmus melody taken from the introit for the consecration of churches, Terribilis...
by Jean Molinet and including the funeral text Requiem Aeternam as a cantusfirmus, is in five voices. In the first of its two parts Josquin cleverly mimics...
proportions or other admirable ideas such as using the cantusfirmus in a canon or putting the cantusfirmus in every possible location in the texture. The studies...
indicate that composers of that time did not necessary wrote down their cantusfirmus from memory. Gaudeamus appears also to be the key to assess the work...