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Braque Triptych information


Interior panels of the Braque Triptych. c. 1452. Oil on oak panels with frame, 41cm × 34.5cm; 41cm× 68cm; 41cm × 34.5cm. Musée du Louvre, Paris.
The outer panels shown folded. The skull is likely intended as both a memento mori and a memorial for the patron.

The Braque Triptych (or the Braque Family Triptych) is a c. 1452 oil-on-oak altarpiece by the Early Netherlandish painter Rogier van der Weyden. When open, its three half-length panels reveal, from left to right, John the Baptist, The Virgin Mary with Jesus and Saint John the Evangelist, and on the right, Mary Magdalene. When the wings are closed, the work shows a vanitas motif of a skull and cross.

The Braque Triptych is the only surviving devotional work by van der Weyden known to be painted for private rather than public display.[1] The altarpiece was probably commissioned by either Jehan Braque of Tournai or, more likely, his wife Catherine de Brabant – possibly after Jehan's sudden and early death in 1452. The couple had been married for only a brief period. Catherine was much younger than her husband; when they married in 1450 or early 1451, she was 20 and some 12 or 13 years his junior. She evidently held a deep and lasting affection for him. When she died, almost 50 years after him, she had asked to be buried alongside him, despite remarrying years earlier.[2]

  1. ^ Blum, 30
  2. ^ Blum, 30–31

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