Christ Cleansing the Temple, c 1655 (J. Paul Getty Museum)The Charlatan, 1656. 190cm x 135cm
The Italian painter and engraver Bernardino Mei (1612/15 – 1676) worked in a Baroque manner in his native Siena and in Rome, finding patronage above all in the Chigi family.[1]
Briefly a pupil of the Sienese cartographer and draughtsman Giuliano Periccioli, where he learned the art of engraving, Bernardino passed to the studio of the painter Rutilio Manetti and probably also served in the workshop of Francesco Rustici.[2]
He painted in and around Siena, where his work came to the attention of Cardinal Fabio Chigi, who, once elected pope as Alexander VII (1655), called Bernardino Mei to Rome in 1657. There Bernardino came under the influences of Mattia Preti,[3] Andrea Sacchi and Pier Francesco Mola, and of Guercino, to the extent that until the 20th century Bernardino's fresco of Aurora in Palazzo Bianchi Bandinelli was attributed to Guercino himself. Through the fast friendship that bonded him to Gian Lorenzo Bernini, whose studio he frequented, he applied that sculptor's sense of theatrical action to his own mythological and allegorical subjects. He died in Rome in 1676.
Orestes Slaying Clytemnestra, 1655
In the 19th century, Bernardino was dismissed as a tame follower of greater lights,[4] but his painting was re-evalued in the later 20th century,[5] expressed in the exhibition Bernardino Mei e la pittura barocca a Siena, Siena, 1987.
^Bernardino's Faith and Hope and later works Bathsheba and The Judgement of Solomon are among his works that remain in Palazzo Chigi-Saracini, via della Città, Siena (Gloria Fossi, Siena segreta. La collezione Chigi Saracini e i musei nascosti 1988:xix.
^Giovanni Rosini, Storia della pittura italiana; Luigi Lanzi was unwilling to hasard a guess as to Bernardino's early master (Lanzi, Storia pittorica dell'Italia dal risorgimento delle belle arti fin presso al fine del XVIII secolo, p. 363).
^Enzo Carli (Sienese Painting, 1983:78) points out, in connection with Bernardino's "echoes of Mattia Preti", the fact that Preti executed some commissions in Siena.
^"Non ebbe stile proprio ma prendeva, secondo il suo capriccio a imitare or Paolo [Veronese], ora i Carracci, ora il Guercino" (Rosini)
^He is still "a second-rate Sienese painter" in Francis Haskell, Patrons and Painters, 1980:154.
The Italian painter and engraver BernardinoMei (1612/15 – 1676) worked in a Baroque manner in his native Siena and in Rome, finding patronage above all...
from the Temple by Nicolas Colombel Christ Cleansing the Temple by BernardinoMei Expulsion of the merchants from the temple by Andrei Mironov Jesus (top...
Four Seasons by Mario de’ Fiori in collaboration with Carlo Maratti, BernardinoMei, Giacinto Brandi, Giovanni Maria Morandi, and Filippo Lauri Allegory...
Francesco Mazzucchelli (il Morazzone). The Italian painter and engraver BernardinoMei worked in his native Siena and in Rome, finding patronage above all...
around 1658. The altarpiece for the left side altar was entrusted to BernardinoMei, a painter from Siena, who was called to Rome by Pope Alexander VII...
Testa (il Lucchesino) 106 Andrea Mantegna 107 Giorgio Mantovano 108 BernardinoMei 109 Met Matsys 110 Martino da Bologna 111 Cristofano Maurer 112 Micarino...
arrange sale of most of his paintings and collection of antiquities. BernardinoMei – The Charlatan Rembrandt – Jacob Blessing the Sons of Joseph Diego...
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chorister) at San Luigi dei Francesi, under the maestro di cappella Giovanni Bernardino Nanino, brother of Giovanni Maria Nanino. Being intended for the Church...
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Wong Tien Lin Gloria Romero, Dolphy, Juancho Gutierrez, Barbara Perez, Lee Mei, Panchito, Tito Galla Sampaguita Pictures, Golden City Film Company Drama...
Jornales as PS/Insp. Francisco "Chikoy" Rivera Marc Acueza as PS/Insp. Bernardino "Dino" Robles Rino Marco as PS/Insp. Gregorio "Greg" Sebastian Marc Solis...